LEADER 05974nam 22006975 450 001 9910144913303321 005 20200703061624.0 010 $a3-540-69591-5 024 7 $a10.1007/BFb0034102 035 $a(CKB)1000000000234726 035 $a(SSID)ssj0000325052 035 $a(PQKBManifestationID)11912708 035 $a(PQKBTitleCode)TC0000325052 035 $a(PQKBWorkID)10332265 035 $a(PQKB)10696763 035 $a(DE-He213)978-3-540-69591-2 035 $a(PPN)155178229 035 $a(EXLCZ)991000000000234726 100 $a20121227d1997 u| 0 101 0 $aeng 135 $aurnn#008mamaa 181 $ctxt 182 $cc 183 $acr 200 10$aMusic, Gestalt, and Computing$b[electronic resource] $eStudies in Cognitive and Systematic Musicology /$fedited by Marc Leman 205 $a1st ed. 1997. 210 1$aBerlin, Heidelberg :$cSpringer Berlin Heidelberg :$cImprint: Springer,$d1997. 215 $a1 online resource (X, 530 p.) 225 1 $aLecture Notes in Artificial Intelligence ;$v1317 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a3-540-63526-2 327 $aOrigin and nature of cognitive and systematic musicology: An introduction -- Systematic, cognitive and historical approaches in musicology -- Empiricism, gestalt qualities, and determination of style: Some remarks concerning the relationship of Guido Adler to Richard Wallaschek, Alexius Meinong, Christian von Ehrenfels, and Robert Lach -- Gestalt concepts and music: Limitations and possibilities -- Logic, gestalt theory, and neural computation in research on auditory perceptual organization -- Knowledge in music theory by shapes of musical objects and sound-producing actions -- Statistical gestalts ? Perceptible features in serial music -- ?Verschmelzung?, tonal fusion, and consonance: Carl Stumpf revisited -- Schema and gestalt: Testing the hypothesis of psychoneural isomorphism by computer simulation -- Self-organizing neural nets and the perceptual origin of the circle of fifths -- A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality -- ?Good?, ?rair?, and ?bad? chord progressions: A regression-analysis of some psychological chord progression data obtained in an experiment by J. Bharucha and C. Krumhansl -- Problems of shape and background in sounds with inharmonic spectra -- A method of analysing harmony, based on interval patterns or ?Gestalten? -- Neural network models for the study of post-tonal music -- Tempo relations: Is there a psychological basis for proportional tempo theory? -- A framework for the subsymbolic description of meter -- Musical rhythm: A formal model for determining local boundaries, accents and metre in a melodic surface -- Effects of perceptual organization and musical form on melodic expectancies -- Continuations as completions: Studying melodic expectation in the creative microdomain Seek Well -- Optimizing self-organizing timbre maps: Two approaches -- Towards a more general understanding of the nasality phenomenon -- Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research -- Cross-synthesis using interverted principal harmonic sub-spaces -- Gestalt phenomena in musical texture -- Technology of interpretation and expressive pulses -- Intonational protention in the performance of melodic octaves on the violin -- Sonological analysis of clarinet expressivity -- Perceptual analysis of the musical expressive intention in a clarinet performance -- Singing, mind and brain ? Unit pulse, rhythm, emotion and expression -- Emulating gestalt mechanisms by combining symbolic and subsymbolic information processing procedures -- Interactive computer music systems and concepts of Gestalt -- Gestalt-based composition and performance in multimodal environments -- List of sound examples on the CD. 330 $aThis book presents a coherent state-of-the-art survey on the area of systematic and cognitive musicology which has enjoyed dynamic growth now for many years. It is devoted to exploring the relationships between acoustics, human information processing, and culture as well as to methodological issues raised by the widespread use of computers as a powerful tool for theory construction, theory testing, and the manipulation of musical information or any kind of data manipulation related to music. 410 0$aLecture Notes in Artificial Intelligence ;$v1317 606 $aArtificial intelligence 606 $aComputers and civilization 606 $aMultimedia information systems 606 $aAcoustics 606 $aPattern recognition 606 $aArtificial Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/I21000 606 $aComputers and Society$3https://scigraph.springernature.com/ontologies/product-market-codes/I24040 606 $aMultimedia Information Systems$3https://scigraph.springernature.com/ontologies/product-market-codes/I18059 606 $aAcoustics$3https://scigraph.springernature.com/ontologies/product-market-codes/P21069 606 $aPattern Recognition$3https://scigraph.springernature.com/ontologies/product-market-codes/I2203X 615 0$aArtificial intelligence. 615 0$aComputers and civilization. 615 0$aMultimedia information systems. 615 0$aAcoustics. 615 0$aPattern recognition. 615 14$aArtificial Intelligence. 615 24$aComputers and Society. 615 24$aMultimedia Information Systems. 615 24$aAcoustics. 615 24$aPattern Recognition. 676 $a781/.11 702 $aLeman$b Marc$4edt$4http://id.loc.gov/vocabulary/relators/edt 712 12$aJoint International Conference on Cognitive and Systematic Musicology$f(1996 :$eBrugge, Belgium) 906 $aBOOK 912 $a9910144913303321 996 $aMusic, gestalt, and computing$91511605 997 $aUNINA