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200 10$aMasking and power$b[electronic resource] $ecarnival and popular culture in the Caribbean /$fGerard Aching
210   $aMinneapolis $cUniversity of Minnesota Press$dc2002
215   $a1 online resource (190 p.)
225 1 $aCultural studies of the Americas ;$vv. 8
300   $aDescription based upon print version of record.
311   $a0-8166-4018-1 
311   $a0-8166-4017-3 
320   $aIncludes bibliographical references (153-170) and index.
327   $aContents; Acknowledgments; Introduction: Masking, Misrecognition, Mimicry; PART I: Undisguised Masking; ONE: Dispossession, Nonpossession, and Self-Possession: Postindependence Masking in Lovelace's The Dragon Can't Dance; TWO: The New Visibilities: Middle-Class Cosmopolitanism in the Street; PART II: Masking through Language; THREE: Specularity and the Language of Corpulence: Estrella's Body in Cabrera Infante's Tres tristes tigres; FOUR: Turning a Blind Eye in the Name of the Law: Cultural Alienation in Chamoiseau's Solibo Magnifique; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J
327   $aKL; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
330   $aFocusing on masking as a socially significant practice in Caribbean cultures, Gerard Aching's analysis articulates masking, mimicry, and misrecognition as a means of describing and interrogating strategies of visibility and invisibility in Cuba, Trinidad and Tobago, Martinique, and beyond.
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