LEADER 03263nam 2200697Ia 450 001 9910143542703321 005 20200520144314.0 010 $a1-280-95882-0 010 $a9786610958825 010 $a90-485-0513-5 010 $a0-585-49537-8 024 7 $a10.1515/9789048505135 035 $a(CKB)111087028328346 035 $a(EBL)419852 035 $a(OCoLC)70771912 035 $a(SSID)ssj0000105800 035 $a(PQKBManifestationID)11133375 035 $a(PQKBTitleCode)TC0000105800 035 $a(PQKBWorkID)10121536 035 $a(PQKB)11517273 035 $a(DE-B1597)532751 035 $a(OCoLC)1110714197 035 $a(DE-B1597)9789048505135 035 $a(UkCbUP)CR9789048505135 035 $a(Au-PeEL)EBL419852 035 $a(CaPaEBR)ebr10053686 035 $a(CaONFJC)MIL95882 035 $a(MiAaPQ)EBC419852 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26812 035 $a(EXLCZ)99111087028328346 100 $a20040226d2003 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArt in progress $ea philosophical response to the end of the avant-garde /$fby Maarten Doorman ; translated from the Dutch by Sherry Marx 205 $a1st ed. 210 $aAmsterdam $cAmsterdam University Press$d2003 215 $a1 online resource (181 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 15 Jan 2021). 311 0 $a90-5356-585-X 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tForeword /$rDoorman, Maarten --$tIntroduction --$t1. Perspectives On Progress: A History --$t2. From The Ancients And The Moderns: A Door To The Future --$t3. From Romanticism To The Avant-Garde --$t4. On Making Revolution --$t5. Innovation In Painting And Architecture: De Stijl --$t6. The End Of Art --$t7. A New Approach To An Old Concept --$tNotes --$tBibliography --$tIndex Of Names 330 $aIn this challenging essay, Maarten Doorman argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism, he claims, have had a crippling effect on art, leaving it in danger of becoming meaningless. Art can only acquire meaning through context; the concept of progress, then, is ideal as the primary criterion for establishing that context. The history of art, in fact, can be seen as a process of constant accumulation, works of art commenting on one another and enriching one another's meanings. It is these complex interrelationships and the progress they create in both art and its observers that Doorman, in a display of great philosophical erudition, defends. 606 $aAesthetics 606 $aProgress 606 $aAvant-garde (Aesthetics) 615 0$aAesthetics. 615 0$aProgress. 615 0$aAvant-garde (Aesthetics) 676 $a111.85 700 $aDoorman$b Maarten$0800852 701 $aMarx$b Sherry$01063329 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910143542703321 996 $aArt in progress$94190755 997 $aUNINA