LEADER 05290nam 22006374a 450 001 9910143197403321 005 20170815111907.0 010 $a1-280-36686-9 010 $a9786610366866 010 $a0-470-23540-3 010 $a0-471-46146-6 010 $a0-471-43226-1 035 $a(CKB)111087027120328 035 $a(EBL)469584 035 $a(OCoLC)52506859 035 $a(SSID)ssj0000125056 035 $a(PQKBManifestationID)11146540 035 $a(PQKBTitleCode)TC0000125056 035 $a(PQKBWorkID)10026170 035 $a(PQKB)10512779 035 $a(MiAaPQ)EBC469584 035 $a(EXLCZ)99111087027120328 100 $a20020828d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aColor space and its divisions$b[electronic resource] $ecolor order from antiquity to the present /$fRolf G. Kuehni 210 $aHoboken, N.J. $cWiley-Interscience$dc2003 215 $a1 online resource (440 p.) 300 $aDescription based upon print version of record. 311 $a0-471-32670-4 320 $aIncludes bibliographical references (p. 375-398) and index. 327 $aColor Space and Its Divisions; Contents; Preface; Chapter 1. The Concept of Color Space and Color Solid; 1.1 Introduction; 1.2 Divisions of Color Spaces and Solids; 1.3 Uniform and Regular Color Spaces; 1.4 Color Space, Sensation, Perception, and Awareness; 1.5 Plan of the Book; Chapter 2. Historical Development of Color Order Systems; 2.1 Color and Color Order Systems; 2.2 From Ancient Greece to the Middle Ages; 2.3 Color Order in the Renaissance; 2.4 Newton's Color Diagram; 2.5 Development of the Color Circle; 2.6 Mayer and Lambert's Color Solids; 2.7 Color Circles from Harris to Henry 327 $a2.8 Three Primary Color Theories2.9 Runge's Color Sphere; 2.10 The Cylindrical System of Matthias Klotz; 2.11 The Early Development of Psychophysics; 2.12 Chevreul's Hemispheric System; 2.13 Doppler's Sphere Octant; 2.14 Yellow, Red and Blue, For a Time Firmly Established as Primary Colors; 2.15 Helmholtz, Grassmann, and Maxwell; 2.16 Hering; 2.17 Geometrical Systems of the Nineteenth Century; 2.18 The Nineteenth-Century Experimental Psychologists; 2.19 The Munsell System; 2.20 Ridgeway's Color Atlas; 2.21 Ostwald's Farbko?rper (Color Solid); 2.22 Geometrical Systems of the Twentieth Century 327 $a2.23 Ro?sch-MacAdam Color Solid2.24 The Luther-Nyberg Color Solid; 2.25 The German DIN6164 System; 2.26 Optical Society of America Uniform Color Scales; 2.27 Swedish Natural Color System; 2.28 Universal Color Language; 2.29 Color Mixing Spaces; 2.30 Spectral Spaces; Chapter 3. Psychophysics; 3.1 Fundaments of Psychophysics; 3.2 Categories; 3.3 Differences versus Magnitudes; 3.4 Psychophysical Scaling: Levels of Measurement; 3.5 Scaling Methods; 3.6 Unidimensional Scaling Methods; 3.7 Psychometric Function; 3.8 Multidimensional Scaling; 3.9 Psychological and Psychophysical Spaces 327 $a3.10 Psychophysical Scaling as a Basis of Color SpaceChapter 4. Color Attributes and Perceptual Attribute Scaling; 4.1 Theories of Vision; 4.2 Historical Development of Views on Attributes; 4.3 Whiteness and Blackness; 4.4 Evans's Five Color Attributes; 4.5 Common Color Attribute Definitions; 4.6 Confirmation of Three Attributes; 4.7 Contrast versus Similitude; 4.8 Neural Correlates of Color Attributes; 4.9 Psychological (Perceptual) Scaling of Color Attributes; 4.10 Perception of Color Differences; Chapter 5. Psychophysical Scaling of Color Attributes: Stimulus and Perception 327 $a5.1 Requirements for a Uniform Psychophysical Color Space5.2 Postulated Relationship between Psychological and Physical Magnitudes; 5.3 Photometry and Brightness/Lightness; 5.4 The Colorimetric System; 5.5 Cone Response Space; 5.6 Opponent Color Space; 5.7 How Are the L, M, S and X, Y, Z Color Spaces Related?; 5.8 Expressing Psychological Scales in Psychophysical Spaces; 5.9 Color Matching and Appearance Scaling; 5.10 Placement of the Red and Green Unique Hues in the Opponent Color Diagram; 5.11 Curvature of Lines of Constant Hue Blue Colors 327 $a5.12 Munsell Colors in the L, M, S and X, Y, Z Spaces and the a, b Diagram 330 $aIt has been postulated that humans can differentiate between millions of gradations in color. Not surprisingly, no completely adequate, detailed catalog of colors has yet been devised, however the quest to understand, record, and depict color is as old as the quest to understand the fundamentals of the physical world and the nature of human consciousness. Rolf Kuehni's Color Space and Its Divisions: Color Order from Antiquity to the Present represents an ambitious and unprecedented history of man's inquiry into color order, focusing on the practical applications of the most contemporary develo 606 $aColor vision 606 $aColors 608 $aElectronic books. 615 0$aColor vision. 615 0$aColors. 676 $a152.145 676 $a535.6 700 $aKuehni$b Rolf G$0843560 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910143197403321 996 $aColor space and its divisions$91910741 997 $aUNINA