LEADER 04073nam 22006012 450 001 9910141814303321 005 20240405031526.0 010 $a90-485-1824-5 035 $a(CKB)2670000000410039 035 $a(SSID)ssj0001015962 035 $a(PQKBManifestationID)12385013 035 $a(PQKBTitleCode)TC0001015962 035 $a(PQKBWorkID)11025547 035 $a(PQKB)11367273 035 $a(WaSeSS)IndRDA00058626 035 $a(UkCbUP)CR9789048518241 035 $a(Au-PeEL)EBL1773755 035 $a(CaPaEBR)ebr10878374 035 $a(CaONFJC)MIL801036 035 $a(OCoLC)860759401 035 $a(MiAaPQ)EBC1773755 035 $a(EXLCZ)992670000000410039 100 $a20201130d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aHiding making, showing creation $ethe studio from Turner to Tacita Dean /$fedited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann$b[electronic resource] 205 $a1st ed. 210 1$aAmsterdam :$cAmsterdam University Press,$d2013. 215 $a1 online resource (262 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 14 Dec 2020). 311 $a90-8964-507-1 320 $aIncludes bibliographical references and index. 327 $tIntroduction /$rRachel Esner, Sandra Kisters and Ann-Sophie Lehmann --$gPART I:$tIntroduction: Old and New Studio Topoi in the Nineteenth Century /$rSandra Kisters --$tStudio Matters: Materials, Instruments and Artistic Processes /$rMonika Wagner --$tJean-Le?on Ge?ro?me, His Badger and His Studio /$rMatthias Kru?ger --$tShowing Making in Courbet's The Painter's Studio /$rPetra ten-Doesschate Chu --$tMaking and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting /$rTerry van Druten --$t14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau /$rMaar ten Liefooghe --$tArtist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century /$rMayken Jonkman --$gPART II:$tIntroduction: Forms and Functions of the Studio from the Twentieth Century to Today /$rRachel Esner --$tStudio as Mediator /$rFrank Reijnders --$tAccrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings /$rMatthias Noe ll --$tStudio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) /$rBeatrice von Bismarck --$tEmpty Studio: Bruce Nauman's Studio Films /$rEric de Bruyn --$tHome Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur /$rWouter Davidts --$tStaging the Studio: Enacting Artful Realities through Digital Photography /$rSarah de Rijcke --$tEpilogue: "Good Art Theory Must Smell of the Studio" /$rAnn-Sophie Lehmann. 330 $aThe artist, at least according to Honore? de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present. 606 $aArtists' studios 606 $aArtists' studios in art 606 $aCreation (Literary, artistic, etc.) 615 0$aArtists' studios. 615 0$aArtists' studios in art. 615 0$aCreation (Literary, artistic, etc.) 676 $a702.8 702 $aEsner$b Rachel 702 $aKisters$b Sandra 702 $aLehmann$b Ann-Sophie$f1969- 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910141814303321 996 $aHiding Making - Showing Creation$91803330 997 $aUNINA