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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 00$aAfter the break $etelevision theory today /$fedited by Marijke de Valck and Jan Teurlings$b[electronic resource]
205   $a1st ed.
210  1$aAmsterdam :$cAmsterdam University Press,$d2013.
215   $a1 online resource (202 pages) $cdigital, PDF file(s)
225 1 $aTelevisual culture
300   $aTitle from publisher's bibliographic system (viewed on 28 Dec 2020).
311   $a90-8964-522-5 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter --$tTable of Contents --$tAfter the Break. Television Theory Today /$rde Valck, Marijke / Teurlings, Jan --$tPart I: Questioning the crisis --$t'Unreading' contemporary television /$rSchwaab, Herbert --$tCaught. Critical versus everyday perspectives on television /$rHermes, Joke --$tThe persistence of national TV. Language and cultural proximity in Flemish fiction /$rDhoest, Alexander --$tConstructing television. Thirty years that froze an otherwise dynamic medium /$rUricchio, William --$tWhen old media never stopped being new. Television's history as an ongoing experiment /$rKeilbach, Judith / Stauff, Markus --$tPart II: New paradigms --$tUnblackboxing production. What media studies can learn from actor-network theory /$rTeurlings, Jan --$tConvergence thinking, information theory and labour in 'end of television' studies /$rHayward, Mark --$tTelevision memory after the end of television history? /$rFrancisco, Juan / Lozano, Gutiérrez --$tPart III: New concepts --$tYouTube beyond technology and cultural form /$rvan Dijck, José --$tMove along folks, just move along, there's nothing to see. Transience, televisuality and the paradox of anamorphosis /$rBouman, Margot --$tBarry Chappell's Fine Art Showcase. Apparitional TV, aesthetic value, and the art market /$rWhite, Mimi --$tAbout the authors --$tIndex
330   $aTelevision is evolving rapidly. How, then, might we respond to television today in light of its past? And do the old theoretical concepts still apply, or must we invent a new framework for this mutable medium? To answer these fundamental questions, the contributors to this provocative collection examine diverse case studies, including up-to-date scholarship on the current television zeitgeist, nostalgic programming on broadcast television, YouTube, and public television art programming of the 1980s. As a whole, these essays challenge the supposed crisis in television in the light of its burgeoning development.
410  0$aTelevisual culture.
606   $aTelevision broadcasting
615  0$aTelevision broadcasting.
676   $a791.45
702   $aValck$b Marijke de
702   $aTeurlings$b Jan
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910141629403321
996   $aAfter the Break$91803267
997   $aUNINA