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100   $a20130719d2013      uy         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aInstallation art and the museum $epresentation and conservation of changing artworks /$fVivian van Saaze
205   $a1st ed.
210   $aAmsterdam $cAmsterdam University Press$d2013
215   $a1 online resource (225 pages) $cdigital, PDF file(s)
225 0 $aOpen Access e-Books
225 0 $aKnowledge Unlatched
300   $aIncludes index.
311 08$a9789089644596 
311 08$a9089644598 
320   $aIncludes bibliographical references (pages 193-212) and indexes.
327   $aIntroduction: Challenges of Installation Art -- 1. Key Concepts and Developments in Conservation Theory and Practice -- 2. From Singularity to Multiplicity: Authenticity in Practice -- 3. From Intention to Interaction: Artist's Intention Reconsidered -- 4. From Object to Collective, from Artists to Actants: Ownership Reframed -- Conclusion: Challenges and Potentialities of Installation Art.
330   $aInstallation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing three in-depth case studies, the author sheds new light on the key concepts of traditional conservation - authenticity, artist's intention, and the notion of ownership - while exploring how these concepts apply in contemporary art conservation.
606   $aArt museums
606   $aMuseum exhibits
615  0$aArt museums.
615  0$aMuseum exhibits.
676   $a709.04/07
700   $aSaaze$b Vivian van$01754315
712 02$aOAPEN.
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910141596803321
996   $aInstallation art and the museum$94190588
997   $aUNINA