LEADER 03886nam  22008532  450 
001 9910141429903321
005 20230621141119.0
010   $a1-283-69836-6
010   $a90-485-1632-3
024 7 $a10.1515/9789048516322
035   $a(CKB)2670000000233471
035   $a(EBL)1048749
035   $a(OCoLC)810232657
035   $a(SSID)ssj0000746300
035   $a(PQKBManifestationID)11433205
035   $a(PQKBTitleCode)TC0000746300
035   $a(PQKBWorkID)10863305
035   $a(PQKB)11312980
035   $a(MdBmJHUP)muse76726
035   $a(DE-B1597)502576
035   $a(DE-B1597)9789048516322
035   $a(UkCbUP)CR9789048516322
035   $a(Au-PeEL)EBL1048749
035   $a(CaPaEBR)ebr10613605
035   $a(CaONFJC)MIL401086
035   $a(MiAaPQ)EBC1048749
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33772
035   $a(EXLCZ)992670000000233471
100   $a20210105d2012||||  uy|         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aNazi soundscapes $esound, technology and urban space in Germany, 1933-1945 /$fCarolyn Birdsall$b[electronic resource]
210   $cAmsterdam University Press$d2012
210  1$aAmsterdam :$cAmsterdam University Press,$d2012.
215   $a1 online resource (272 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 29 Jan 2021).
311 0 $a9789089644268 (paperback) 
320   $aIncludes bibliographical references (p. 217-254) and indexes.
327   $tFront matter --$tContent --$tAcknowledgements --$tAbbreviations --$tIntroduction --$t1. Affirmative Resonances In Urban Space --$t2. The Festivalisation Of The Everyday --$t3. Mobilising Sound For The Nation At War --$t4. Cinema As A Gesamtkunstwerk? --$tAfterword: Echoes Of The Past --$tNotes --$tBibliography --$tTrack List --$tIndex
330   $aMany images of Nazi propaganda are universally recognizable, and symbolize the ways that the National Socialist party manipulated German citizens. What might an examination of the party's various uses of sound reveal? In Nazi Soundscapes, Carolyn Birdsall offers an in-depth analysis of the cultural significance of sound and new technologies like radio and loudspeaker systems during the rise of the National Socialist party in the 1920s to the end of World War II. Focusing specifically on the urban soundscape of Du?sseldorf, this study examines both the production and reception of sound-based propaganda in the public and private spheres. Birdsall provides a vivid account of sound as a key instrument of social control, exclusion, and violence during Nazi Germany, and she makes a persuasive case for the power of sound within modern urban history.
606   $aPropaganda$zGermany$xHistory$y20th century
606   $aCommunication$xPsychological aspects
606   $aSocial control$zGermany$xHistory$y20th century
606   $aMass media and propaganda$zGermany$xHistory$y20th century
610   $ageschiedenis
610   $amedia technology
610   $ahistory
610   $agermany
610   $asoundscapes
610   $alistening
610   $anazi
610   $apropaganda
610   $apopular music
610   $aradio
610   $aurban cities
610   $aAdolf Hitler
610   $aCarnival
610   $aDüsseldorf
610   $aNazism
615  0$aPropaganda$xHistory
615  0$aCommunication$xPsychological aspects.
615  0$aSocial control$xHistory
615  0$aMass media and propaganda$xHistory
676   $a303.375
700   $aBirdsall$b Carolyn$0801785
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910141429903321
996   $aNazi Soundscapes$91803052
997   $aUNINA