LEADER 04879nam 2200649Ia 450 001 9910141306203321 005 20170816111338.0 010 $a9786613407559 010 $a1-4443-4344-0 010 $a1-283-40755-8 010 $a1-4443-4347-5 010 $a1-4443-4345-9 035 $a(CKB)2670000000163758 035 $a(EBL)675258 035 $a(OCoLC)714797087 035 $a(SSID)ssj0000477795 035 $a(PQKBManifestationID)11326963 035 $a(PQKBTitleCode)TC0000477795 035 $a(PQKBWorkID)10513190 035 $a(PQKB)10583958 035 $a(MiAaPQ)EBC675258 035 $a(PPN)260375861 035 $a(EXLCZ)992670000000163758 100 $a20101203d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPhilosophy of the performing arts$b[electronic resource] /$fDavid Davies 210 $aChichester, West Sussex ;$aMalden, MA $cWiley-Blackwell$d2011 215 $a1 online resource (244 p.) 225 1 $aFoundations of the philosophy of the arts ;$v4 300 $aDescription based upon print version of record. 311 $a1-4051-8802-2 311 $a1-4051-8803-0 320 $aIncludes bibliographical references and index. 327 $aPhilosophy of the Performing Arts; Contents; Preface and Acknowledgments; Part One Performance and the Classical Paradigm; 1 The Nature of Artistic Performance; 1 Introduction; 2 What is a Performance?; 3 Institutional Theories of Artistic Performance; 4 Aesthetic Theories of Artistic Performance; 5 Artistic Performance and Artistic Regard; 6 Overview; 2 The Classical Paradigm I: The Nature of the Performable Work; 1 Introduction: Berthold and Magda Go to the Symphony; 2 The Multiple Nature of Performable Works; 3 Performable Works as Types 327 $a4 Varieties of Type Theories: Sonicism, Instrumentalism, and Contextualism5 Other Theories of the Performable Work; 3 The Classical Paradigm II: Appreciating Performable Works in Performance; 1 Introduction: Talking Appreciatively about Performable Works; 2 Can Performable Works Share Artistic Properties with Their Performances?; 3 The Goodman Argument; 4 Answering the Goodman Argument; 4 Authenticity in Musical Performance; 1 Introduction; 2 Authenticity in the Arts; 3 Three Notions of Historically Authentic Performance; 5 Challenges to the Classical Paradigm in Music 327 $a1 Introduction: The Classical Paradigm in the Performing Arts2 The Scope of the Paradigm in Classical Music; 3 Jazz, Rock, and the Classical Paradigm; 4 Non-Western Music and the Classical Paradigm; 6 The Scope of the Classical Paradigm: Theater, Dance, and Literature; 1 Introduction: Berthold and Magda Go to the Theater; 2 Theatrical Performances and Performable Works; 3 Challenges to the Classical Paradigm in Theater; 4 Dance and the Classical Paradigm; 5 The Novel as Performable Work?; Part Two Performance as Art; 7 Performances as Artworks 327 $a1 Introduction: Spontaneous Performance in the Arts2 The Artistic Status of Performances Outside the Classical Paradigm; 3 The Artistic Status of Performances Within the Classical Paradigm; 8 Elements of Performance I: Improvisation and Rehearsal; 1 Introduction; 2 The Nature of Improvisation; 3 Improvisation and Performable Works: Three Models; 4 Improvisation and Recording; 5 The Place of Rehearsal in the Performing Arts; 9 Elements of Performance II: Audience and Embodiment; 1 Can There Be Artistic Performance Without an Audience?; 2 Audience Response 327 $a3 The Embodied Performer and the Mirroring Receiver10 Performance Art and the Performing Arts; 1 Introduction; 2 Some Puzzling Cases; 3 What is Performance Art?; 4 When Do Works of Performance Art Involve Artistic Performances?; 5 Performance as Art: A Final Case; References; Index 330 $aThis book provides an accessible yet sophisticated introduction to the significant philosophical issues concerning the performing arts. Presents the significant philosophical issues concerning the performing arts in an accessible style, assuming no prior knowledge Provides a critical overview and a comprehensive framework for thinking about the performing arts Examines the assumption that classical music provides the best model for thinking about artistic performance across the performing arts Explores wa 410 0$aFoundations of the philosophy of the arts ;$v4. 606 $aPerforming arts$xPhilosophy 606 $aTheater$xPhilosophy 615 0$aPerforming arts$xPhilosophy. 615 0$aTheater$xPhilosophy. 676 $a790.2 700 $aDavies$b David$f1949-$0964256 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910141306203321 996 $aPhilosophy of the performing arts$92187056 997 $aUNINA