LEADER 03484nam 22006252 450 001 9910141015903321 005 20240405173911.0 010 $a1-283-02067-X 010 $a9786613020673 010 $a90-485-1315-4 024 7 $a10.1515/9789048513154 035 $a(CKB)2670000000077148 035 $a(EBL)672992 035 $a(OCoLC)710974706 035 $a(SSID)ssj0000482918 035 $a(PQKBManifestationID)12168100 035 $a(PQKBTitleCode)TC0000482918 035 $a(PQKBWorkID)10526999 035 $a(PQKB)11159052 035 $a(MiAaPQ)EBC672992 035 $a(DE-B1597)517607 035 $a(OCoLC)1039895194 035 $a(DE-B1597)9789048513154 035 $a(UkCbUP)CR9789048513154 035 $a(Au-PeEL)EBL672992 035 $a(CaPaEBR)ebr10456278 035 $a(CaONFJC)MIL302067 035 $a(EXLCZ)992670000000077148 100 $a20210105d2011|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBastard culture! $ehow user participation transforms cultural production /$fMirko Tobias Scha?fer 210 1$aAmsterdam :$cAmsterdam University Press,$d2011. 215 $a1 online resource (249 pages) $cdigital, PDF file(s) 225 1 $aMediaMatters 311 $a90-8964-256-0 320 $aIncludes bibliographical references and index. 327 $a1. Promoting Utopia/selling technology : Cisco Systems: empowering the Internet generation ; Web 2.0: celebrating collaboration -- 2. Claiming participation : New media, new participation? ; Domains of user participation ; Explicit and implicit participation -- 3. Enabling/repressing participation : The computer ; Software ; The Internet -- 4. Bastard culture : Participation as explicit media practice ; Participation as implicit media practice -- 5. The extension of cultural industries : Confrontation: fighting participation ; Implementation: controlling participation ; Integration: embracing participation -- 6. Participatory culture. 330 $a

In the wake of the recent far-reaching changes in the use and accessibility of technology in our society, the average person is far more engaged with digital culture than ever before. They are not merely subject to technological advances but actively use, create, and mold them in everyday routines - connecting with loved ones and strangers through the Internet and smart phones, navigating digital worlds for work and recreation, extracting information from vast networks, and even creating and customizing interfaces to best suit their needs. In this timely work, Mirko Tobias Scho?fer delves deep into the realities of user participation, the forms it takes, and the popular discourse around new media. Drawing on extensive research into hacking culture, fan communities, and Web 2.0 applications, Scho?fer offers a critical approach to the hype around user participation and exposes the blurred boundaries between industry-driven culture and the domain of the user.

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