LEADER 05504nam 2200697 450 001 9910140647403321 005 20200520144314.0 010 $a1-119-01019-5 010 $a1-119-00977-4 010 $a1-119-06391-4 010 $a1-4443-3764-5 035 $a(CKB)2670000000615880 035 $a(EBL)2044683 035 $a(SSID)ssj0001481597 035 $a(PQKBManifestationID)11893805 035 $a(PQKBTitleCode)TC0001481597 035 $a(PQKBWorkID)11507825 035 $a(PQKB)11251265 035 $a(DLC) 2015011267 035 $a(Au-PeEL)EBL2044683 035 $a(CaPaEBR)ebr11053035 035 $a(CaONFJC)MIL783567 035 $a(PPN)243661622 035 $a(MiAaPQ)EBC2044683 035 $a(OCoLC)871228606 035 $a(EXLCZ)992670000000615880 100 $a20150520h20152015 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to ancient aesthetics /$fedited by Pierre Destree and Penelope Murray 210 1$aChichester, England :$cWiley Blackwell,$d2015. 210 4$dİ2015 215 $a1 online resource (550 p.) 225 1 $aBlackwell Companions to the Ancient World 300 $aDescription based upon print version of record. 311 $a1-119-00979-0 311 $a1-119-00978-2 320 $aIncludes bibliographical references at the end of each chapters and indexes. 327 $aTitle Page; Copyright Page; Contents; Notes on Contributors; Acknowledgments; List of Illustrations; Introduction; What Is "Ancient Aesthetics"?; The Organization of This Companion; Note; References; Further Reading; Part I Art in Context; Chapter 1 Festivals, Symposia, and the Performance of Greek Poetry; Festivals; Symposia; References; Further Reading; Chapter 2 Figures of the Poet in Greek Epic and Lyric; Law-giver; Symposiast; Fabricant and Donor; Notes; References; Further Reading; Chapter 3 The Contexts and Experience of Poetry and Art in the Hellenistic World 327 $aCosmopolitanism and the "Idea" of a Classic Poikilia; Leptote?s; The Hellenistic Baroque; Realism; Reader/Viewer Activity: Integration and Supplementation; Reader/Viewer Passivity; Spectacle; Psychago?gia; Acknowledgments; Notes; References; Further Reading; Chapter 4 Poetry, Patronage, and Roman Politics; Public and Private Literary Activity in Regal and Republican Rome; Poetry and Power, from Catullus through Ovid; Places for Poetry in Imperial Rome: Schools, Households, Contests, and the Court; The Persistence of a Classical Aesthetic; References; Further Reading 327 $aChapter 5 Music and Dance in Greece and Rome Introduction; The Culture of Mousike? in Archaic and Classical Greece; Musical Performances between Greece and Rome; Notes; References; Further Reading; Chapter 6 The Body, Human and Divine in Greek Sculpture; Art and Religion; The Peplos Kore and the Aphrodite of Cnidos; Polyclitus's Doryphoros and the Barberini Faun; Human and Divine; References; Further Reading; Chapter 7 Painting and Private Art Collections in Rome; Introduction; Triumph and Collections of Greek Art in Rome; Roman Collections and Aesthetics: The Theme of the Picture Gallery 327 $aThe Evidence from Domestic Wall-Painting in Rome and in the Vesuvian Cities Conclusion; Notes; References; Further Reading; Chapter 8 Architecture and Society; Building, Public and Private; From Architectural to Civic Beauty; The Civic World of Imperial Times: An Obsession with Beauty; The Patrimony of Empire; References; Further Reading; Part II Reflecting on Art; Chapter 9 Literary Criticism and the Poet's Autonomy; Art (tekhne?) and Autonomy; The Poet's Autonomy in Poetics Ch. 25; Poetic Autonomy and Politics; Poetic Autonomy in Aristophanes' Frogs; Conclusions; Notes; References 327 $aFurther Reading Chapter 10 Poetic Inspiration; Inspiration and Craft; Inspiration and Authority; Inspiration and Value; Poetry, Techne?, and Poie?sis; Authorship and Authority; Inspiration, Criticism, and Theory; Notes; References; Further Reading; Chapter 11 The Canons of Style; Introduction: Rhetoric, Poetics, Aesthetics; The Archaic Background; Unfortunate Necessities: Aristotle on Rhetoric; Aristotle on Style; After Aristotle: Hellenistic Advances; Types of Style; Conclusion; References; Further Reading; Chapter 12 Sense and Sensation in Music; Responses to Music and Mousike? 327 $aElements of Greek Musical Sound 330 $aThe first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media-oral, aural, visual, and literary. 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