LEADER 03515oam 22006014a 450 001 9910140527903321 005 20230125213200.0 035 $a(CKB)2670000000566690 035 $a(SSID)ssj0001326155 035 $a(PQKBManifestationID)12564317 035 $a(PQKBTitleCode)TC0001326155 035 $a(PQKBWorkID)11516539 035 $a(PQKB)11211802 035 $a(OCoLC)1111384117 035 $a(MdBmJHUP)muse76184 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33084 035 $a(EXLCZ)992670000000566690 100 $a20120320d2012 uy 0 101 0 $aeng 135 $aurb|#---|||u| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aShibusa$eExtracting beauty /$fedited by Monty Adkins and Pip Dickens 210 $aHuddersfield$cUniversity of Huddersfield Press$d2012 210 1$aHuddersfield :$cUniversity of Huddersfield Press,$d2012. 210 4$dİ2012. 215 $a1 online resource (145 pages) $cillustrations 311 $a1-86218-101-2 320 $aIncludes bibliographical references. 327 $aExploding stillness / Monty Adkins -- The katagami stencil: handmade machine / Pip Dickens -- Low tech and high tech: the tail should not wag the dog / Pip Dickens -- Smashed pianos and dysfunctional brushes / Pip Dickens -- Sharing of textures: crossovers in contemporary art / Roy Exley -- The craftsmen of Kyoto / Pip Dickens -- History and techniques of the kimono / Makoto Mori. 330 $aShibusa - Extracting Beauty celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol - the 'hand-made machine' - by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book. The book reviews examples of a number of contemporary artists and craftspeople and their individual approaches to 'making things well'. It explores the balance between hand skills and technology within a work's production with particular reference to Richard Sennett's review of material culture in The Craftsman. Shibusa - Extracting Beauty includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori. 606 $aForm (Aesthetics)$vExhibitions 606 $aAesthetics, Japanese$vExhibitions 608 $aElectronic books. 610 $amusic 610 $ahistory of arts 610 $aJapanese craft 610 $aKimono 610 $aKyoto 610 $aStencil 615 0$aForm (Aesthetics) 615 0$aAesthetics, Japanese 676 $a780.1 700 $aAdkins$b Monty$4edt$01023031 701 $aDickens$b Pip$01023030 701 $aAdkins$b Monty$01023031 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910140527903321 996 $aShibusa$92430307 997 $aUNINA