LEADER 03426 am 22006373u 450 001 9910140527503321 005 20230621135944.0 010 $z9781862181182$b(paperback) 035 $a(CKB)2670000000566692 035 $a(SSID)ssj0001683383 035 $a(PQKBManifestationID)16509610 035 $a(PQKBTitleCode)TC0001683383 035 $a(PQKBWorkID)15038079 035 $a(PQKB)10930063 035 $a(WaSeSS)IndRDA00056728 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35011 035 $a(EXLCZ)992670000000566692 100 $a20160829h2013 uy 0 101 0 $aeng 135 $aurm|#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aNoise in and as music /$fAaron Cassidy and Aaron Einbond 210 $aHuddersfield$cUniversity of Huddersfield Press$d2013 210 1$aHuddersfield$cUniversity of Huddersfield Press$d2013. 215 $a1 online resource (xiii, 238 pages) $cillustrations; digital file(s) 311 08$aPrint version: 9781862181182 320 $aIncludes bibliographical references. 330 $aOne hundred years after Luigi Russolo?s ?The Art of Noises,? this book exposes a cross-section of the current motivations, activities, thoughts, and reflections of composers, performers, and artists who work with noise in all of its many forms. The book?s focus is the practice of noise and its relationship to music, and in particular the role of noise as musical material?as form, as sound, as notation or interface, as a medium for listening, as provocation, as data. Its contributors are first and foremost practitioners, which inevitably turns attention toward how and why noise is made and its potential role in listening and perceiving. Contributors include Peter Ablinger, Sebastian Berweck, Aaron Cassidy, Marko Ciciliani, Nick Collins, Aaron Einbond, Matthias Haenisch, Alec Hall, Martin Iddon, Bryan Jacobs, Phil Julian, Michael Maierhof, Joan Arnau Pāmies, and James Whitehead (JLIAT). The book also features a collection of short responses to a two-question ?interview???what is noise (music) to you?? and ?why do you make it???by some of the leading musicians working with noise today. Their work spans a wide range of artistic practice, including instrumental, vocal, and electronic music; improvisation; notated composition; theater; sound installation; DIY; and software development. 606 $aMusic Philosophy and aesthetics 606 $aNoise music 606 $aNoise music$xHistory and criticism 606 $aNoise music$xPhilosophy and aesthetics 606 $aAvante-garde (Music) 606 $aExperimental music 606 $aMUSIC / Genres & Styles / Electronic 610 $amusic 610 $aNoise music 610 $aPiano 615 0$aMusic Philosophy and aesthetics. 615 0$aNoise music. 615 0$aNoise music$xHistory and criticism. 615 0$aNoise music$xPhilosophy and aesthetics. 615 0$aAvante-garde (Music) 615 0$aExperimental music. 615 7$aMUSIC / Genres & Styles / Electronic. 676 $a780.904 700 $aCassidy$b Aaron$4edt$01364020 702 $aCassidy$b Aaron 702 $aEinbond$b Aaron 801 0$bPQKB 801 2$bUkMaJRU 912 $a9910140527503321 996 $aNoise in and as music$93385188 997 $aUNINA