LEADER 00956nam0-22002891i-450- 001 990007201310403321 005 20021010 035 $a000720131 035 $aFED01000720131 035 $a(Aleph)000720131FED01 035 $a000720131 100 $a20021010d--------km-y0itay50------ba 101 0 $aita 200 1 $aArbeitsrecht im Multinationalen Unternehmen$eein Beitrag zu den Arbeitsbeziehungen im MultinationalenUnternehmen (...).$fGisbert Eser. 210 $aFrankfurt am Main$cLang$d1994. 215 $a207 p.$d21 cm 225 1 $aEuropaische Hochschulschriften$ePublications Universitarires Europeennes. Reihe 2 Rechtswissenschaft$vBd. 1467 676 $a344 700 1$aEser,$bGisbert$0263505 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007201310403321 952 $aF-III-34$b6411 DIP.$fDDRC 959 $aDDRC 996 $aArbeitsrecht im Multinationalen Unternehmen$9689125 997 $aUNINA DB $aGEN01 LEADER 03274 am 22005773u 450 001 9910140493203321 005 20230621141313.0 010 $a90-485-1945-4 035 $a(CKB)2670000000591117 035 $a(SSID)ssj0001546215 035 $a(PQKBManifestationID)16135567 035 $a(PQKBTitleCode)TC0001546215 035 $a(PQKBWorkID)12957175 035 $a(PQKB)11051255 035 $a(DE-B1597)596503 035 $a(DE-B1597)9789048519453 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/32022 035 $a(EXLCZ)992670000000591117 100 $a20160829h20152015 fy 0 101 0 $aeng 135 $aurmn#nnn||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCinema against spectacle$b[electronic resource] $etechnique and ideology revisited /$fby Jean-Louis Comolli ; translated and edited by Daniel Fairfax 210 $cAmsterdam University Press$d2015 210 1$aAmsterdam :$cAmsterdam University Press,$d[2015] 210 4$d©2015 215 $a1 online resource (345 pages) $cillustrations; digital, PDF file(s). 225 0 $aOpen Access e-Books 225 0 $aKnowledge Unlatched 225 1 $aFilm theory in media history 300 $a"Originally published as : Cinema, contre spectacle, Jean-Louis Comolli ;©Editions VERDIER, 2009". 311 08$aPrint version: 9789089645548 320 $aIncludes bibliographical references, filmography and index. 327 $aCinema against Spectacle -- Introduction -- Cinema against Spectacle -- I.Opening the Window? -- II.Inventing the Cinema? -- III.Filming the Disaster? -- IV.Cutting the Figure? -- V.Changing the Spectator? -- Technique and Ideology: Camera, Perspective, Depth of Field -- Introduction -- I.On a Dual Origin -- The ideological place of the "base apparatus" -- Birth = deferral: The invention of the cinema -- II.Depth of Field: The Double Scene -- Bazin's "surplus realism" -- The work of "transparency" -- For a materialist history of the cinema -- "For the first time..." -- III."Primitive" Depth of Field -- IV.Effacement of Depth/Advent of Speech -- V.Which Speech?. 330 $aJean-Louis Comolli?s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli?s activity as both a theorist and a filmmaker. 410 0$aFilm theory in media history. 606 $aMotion pictures$xPhilosophy 610 $aFilm Theory, Ideology, Cinema and Politics, Film History, Cahiers du cinéma. 615 0$aMotion pictures$xPhilosophy. 676 $a791.4 700 $aComolli$b Jean-Louis$0522417 702 $aFairfax$b Daniel 801 0$bPQKB 801 2$bAuAdUSA 801 2$bUkMaJRU 906 $aBOOK 912 $a9910140493203321 996 $aCinema against spectacle$92183002 997 $aUNINA