LEADER 00689nam0-22002531i-450- 001 990006393920403321 005 19980601 035 $a000639392 035 $aFED01000639392 035 $a(Aleph)000639392FED01 035 $a000639392 100 $a19980601d1997----km-y0itay50------ba 105 $a----m---00-yy 200 1 $aStellenbewerbung und Datenschutz$fRoger Rudolph 210 $aBern$cUnternehmen$d1997 700 1$aRudolph,$bRoger$0240374 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006393920403321 952 $aDISSERT. A 1957$b36383*$fFGBC 959 $aFGBC 996 $aStellenbewerbung und Datenschutz$9660170 997 $aUNINA DB $aGIU01 LEADER 02833nam 2200457 450 001 9910140341903321 005 20230621135343.0 010 $z9788867051373$b(paperback) 024 7 $a10.4000/books.ledizioni.785 035 $a(CKB)2560000000363626 035 $a(WaSeSS)IndRDA00057682 035 $a(FrMaCLE)OB-ledizioni-785 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/57267 035 $a(EXLCZ)992560000000363626 100 $a20160615d2013 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aProvence and the British imagination /$fedited by Claire Davison, Be?atrice Laurent, Caroline Patey and Nathalie Vanfasse 210 $cLedizioni$d2013 210 1$aMilan :$cUniversita? degli Studi di Milano,$d2013. 215 $a1 online resource (234 pages) $cillustrations; digital, PDF file(s) 225 1 $aDi/segni ;$vNumber 5 311 08$aPrint version: 9788867051373 320 $aIncludes bibliographical references and index. 330 $aAlthough it resonates today with lavender fields, sunny heritage locations and the gentrified memory of Paul Cézanne?s pictorial turbulence, Provence has not always been the attractive territory of pacified leisure and festival culture. Since the seventeenth century, indeed, the region has inscribed its shifting geography, complex politics and the extraordinary diversity of its land and seascapes in the perception and imagination of British visitors. In the steps of anonymous or excellent travellers, the chapters of this volume chart some of the most significant moments in the intercultural transactions between the proud linguistic and literary distinctiveness of the province on one hand and the always challenged and sometimes baffled perception of Anglophone (and Anglophile) visitors on the other. Spanning across two centuries, from the largely unknown pre-revolutionary Provence visited by John Locke and Tobias Smollett through the Victorian paradise of popular tourism and finally to the more secret ?homeland? of Modernists, this volume reveals an unexpected Provence which, in oblique and complex ways, has long held a mirror to British culture and often acted as the laboratory of its artistic life. 410 0$aDi/segni ;$vNumber 5. 607 $aGreat Britain$xRelations$zFrance$zProvence 607 $aProvence (France)$xRelations$zGreat Britain 700 $aA cura di: Claire Davison$4auth$01365047 702 $aDavison$b Claire 702 $aLaurent$b Be?atrice 702 $aPatey$b Caroline 702 $aVanfasse$b Nathalie 801 0$bWaSeSS 801 2$bUkMaJRU 912 $a9910140341903321 996 $aProvence and the British imagination$93386705 997 $aUNINA