LEADER 03127 am 22005173u 450 001 9910140252503321 005 20230621141308.0 010 $z9780615883410 035 $a(CKB)2670000000557882 035 $a(SSID)ssj0001695503 035 $a(PQKBManifestationID)16543090 035 $a(PQKBTitleCode)TC0001695503 035 $a(PQKBWorkID)15065984 035 $a(PQKB)25088522 035 $a(WaSeSS)IndRDA00058345 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37361 035 $a(EXLCZ)992670000000557882 100 $a20160829h20132013 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFuckhead /$fDavid Rawson 210 $aBrooklyn, NY$cpunctum books$d2013 210 1$aBrooklyn NY :$cpunctum books,$d2013, 210 4$d©2013 215 $a1 online resource (64 pages) $cillustrations; PDF, digital file(s) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$aPrint version: 0615883419 320 $aIncludes bibliographical references. 330 $aWhat is a fuckhead? David Rawson?s Fuckhead is a surreal exploration of the literature, film, nature and expectations of disability, and of fuckheads in literature and film. Part lyric essay, part fictional memoir, Rawson?s work tells the story of an unnamed narrator whose familial relationships are defined by his VATER syndrome. Abused by his mother and stripped of a voice by his brother?s need to be Tom Cruise via Rain Man, he sets out into a universe of literary tropes. I have always been of the mind that the novelist is allowed access to all experiences, as long as he ultimately has something to say. Plutarch and Samuel Johnson are typing somewhere in the desert of the next world, composing the ultimate collection of biographical criticism, explaining how David Lynch?s entire filmography owes a debt to his club feet. But I and the friends who bought my novel agree the author is dead. The work is particularly interested in the relationship between Steinbeck?s Of Mice and Men and what the narrator argues is Denis Johnson?s reimagining of that work in the short story ?Emergency? (in Johnson?s Jesus? Son). But in accumulating characters with disabilities as widely diverse as Darth Vader, Benjy of Faulkner?s The Sound and the Fury, and the TV sitcom Community?s Abed Nadir, Rawson movingly, and with wry humor, articulates the assumptions and clichés faced by persons with disabilities, all the while creating a new family with his unlikely gathering of ?fuckheads.? 606 $aPeople with disabilities 606 $aPeople with disabilities in motion pictures 610 $adisability studies 610 $amemoir 610 $aFaulkner 610 $aSteinbeck 615 0$aPeople with disabilities. 615 0$aPeople with disabilities in motion pictures. 700 $aRawson$b David$0802592 801 0$bPQKB 801 2$bUkMaJRU 912 $a9910140252503321 996 $aFuckhead$91803905 997 $aUNINA LEADER 03618nam 22006731a 450 001 9910477181103321 005 20200514202323.0 010 $a9781501306471 010 $a1501306472 010 $a9781501306488 010 $a1501306480 024 7 $a10.5040/9781501306471 035 $a(CKB)3710000000528211 035 $a(EBL)4187266 035 $a(SSID)ssj0001581008 035 $a(PQKBManifestationID)16258117 035 $a(PQKBTitleCode)TC0001581008 035 $a(PQKBWorkID)13900638 035 $a(PQKB)11689982 035 $a(MiAaPQ)EBC4187266 035 $a(OCoLC)931877351 035 $a(UkLoBP)bpp09259657 035 $a(ScCtBLL)00a989e5-3800-4c3b-aa2e-4f360d53e234 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37924 035 $a(UkLoBP)BP9781501306471BC 035 $a(oapen)doab37924 035 $a(EXLCZ)993710000000528211 100 $a20151229d2016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAesthetics of displacement $eTurkey and its minorities on screen /$fO?zlem Koksal 210 $aNew York $cBloomsbury Academic$d2016 215 $a1 online resource (248 p.) 225 0 $aTopics and issues in national cinema ;$vv. 4 300 $aDescription based upon print version of record. 311 08$a9781501320187 311 08$a1501320181 311 08$a9781501306464 311 08$a1501306464 320 $aIncludes bibliographical references and index. 327 $aFC ; Half title; Topics and Issues in National Cinema; Title; Copyright; Dedication; Contents; List of figures; Acknowledgments; Abbreviations/Acronyms; Introduction; 1 Memory, Identity: The Turkish Context; 2 Recurring Themes and Motifs; 3 Covering and Discovering: Non-Muslim Minorities and Film; 4 Representing the Armenian Genocide: Ararat and Beyond; 5 The Kurdish Question in Films; Coda: Once Upon a Time in Anatolia; Notes; Bibliography; Index 330 $a"Displacement does not only have an effect on groups' and individuals' ways of relating to their identity and their past but the knowledge and experience of it also has an impact on its representation. Looking at films that represent the experience of displacement in relation to Turkey's minorities, Aesthetics of Displacement argues that there is a particular aesthetic continuity among the otherwise unrelated films. Ozlem Koksal focuses on films that bring taboo issues concerning the repression of minorities into visibility, arguing that the changing political and social conditions determine not only the types of stories told but also the ways in which these stories are told. Focusing on aesthetic and narrative continuities, the films discussed include Ararat, Waiting for the Clouds and Once Upon a Time in Anatolia among others. Each film is examined in light of major historical event(s) and their context (political and social) as well as the impact these events had on the construction of both minority and Turkish identity."--$cProvided by publisher. 410 0$aTopics and issues in national cinema ;$v4 606 $aMinorities in motion pictures 606 $aMotion pictures$zTurkey$xHistory and criticism 615 0$aMinorities in motion pictures. 615 0$aMotion pictures$xHistory and criticism. 676 $a791.43/6529009561 700 $aKo?ksal$b O?zlem$0943192 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910477181103321 996 $aAesthetics of displacement$92128727 997 $aUNINA