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100   $a20230221d2014      uy             0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe Heian court poetry as world literature $efrom the point of view of early Italian poetry /$fEdoardo Gerlini
210  1$aFirenze, Italy :$cFirenze University Press,$d2014.
215   $a1 online resource (xxvii, 260 pages)
225 1 $aStrumenti per la didattica e la ricerca
311   $a88-6655-604-1 
320   $aIncludes bibliographical references and index.
330   $aWhat could be the common points between the Literature produced at the imperial court of 9th-10th century in Japan with the one composed in Italy under the rule of Frederick II of Hohenstaufen? Why the Kokinwakashu? in Japan and the Sicilian School of Poetry in Italy have been acknowledged as canons for later literary traditions? How did the political power influence the production of court poetry and the role of poets in the court environment? Why two particular poetic forms like the sonnet in Europe and the waka in Japan succeeded to survive until modern times?.
410  0$aStrumenti per la didattica e la ricerca.
517   $aHeian court poetry as world literature 
606   $aJapanese poetry$yHeian period, 794-1185$xHistory and criticism
615  0$aJapanese poetry$xHistory and criticism.
676   $a895.61009
700   $aGerlini$b Edoardo$01243756
801  0$bNjHacI
801  1$bNjHacl
906   $aBOOK
912   $a9910140204103321
996   $aThe Heian court poetry as world literature$92885009
997   $aUNINA