LEADER 00945cam0 22002653 450 001 SOB022488 005 20190923142857.0 010 $a8836601677 100 $a03.11.21d1986 |||||ita|0103 ba 101 $aita 102 $aIT 200 1 $a<>grandi disegni italiani del Museo Puskin$ftesti e commenti di Marina Maiskaja 210 $aMilano$cSilvana Ed.$d1986 215 $a262 p.$cill.$d32 cm 702 1$aMAISKAJA, Marina$3AF00023728$4070 710 02$a*Muzej izobrazitel?nyh iskusstv imeni A. S. Puškina$3SOBA00013272$4070$0779657 801 0$aIT$bUNISOB$c20190923$gRICA 850 $aUNISOB 852 $aUNISOB$j700|Coll|67|k$m118650 912 $aSOB022488 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a700|Coll|67|k$b000004$gSI$d118650$rACQUISTO$1catenacci$2UNISOB$3UNISOB$420160921125502.0$520160921125520.0$6catenacci 996 $aGrandi disegni italiani del Museo Puskin$91676699 997 $aUNISOB LEADER 05830nam 2200961 450 001 9910807745403321 005 20230912130828.0 010 $a1-282-00295-3 010 $a9786612002953 010 $a1-4426-8390-2 024 7 $a10.3138/9781442683907 035 $a(CKB)2420000000004572 035 $a(OCoLC)244767445 035 $a(CaPaEBR)ebrary10218881 035 $a(SSID)ssj0000294085 035 $a(PQKBManifestationID)11206491 035 $a(PQKBTitleCode)TC0000294085 035 $a(PQKBWorkID)10303432 035 $a(PQKB)10803794 035 $a(CaPaEBR)422851 035 $a(CaBNvSL)thg00603581 035 $a(DE-B1597)465156 035 $a(OCoLC)944177170 035 $a(DE-B1597)9781442683907 035 $a(Au-PeEL)EBL4672289 035 $a(CaPaEBR)ebr11257963 035 $a(OCoLC)958559073 035 $a(VaAlCD)20.500.12592/7hs0ts 035 $a(schport)gibson_crkn/2009-12-01/8/422851 035 $a(MiAaPQ)EBC4672289 035 $a(OCoLC)1389606001 035 $a(MdBmJHUP)musev2_105588 035 $a(MiAaPQ)EBC3254976 035 $a(EXLCZ)992420000000004572 100 $a20160923h19941994 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDiscoveries of the other $ealterity in the work of Leonard Cohen, Hubert Aquin, Michael Ondaatje, and Nicole Brossard /$fWinfried Siemerling 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1994. 210 4$d©1994 215 $a1 online resource (268 p.) 225 1 $aTheory / Culture 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4875-7127-5 311 $a0-8020-0517-9 320 $aIncludes bibliographical references and index. 327 $a1. Introduction: Discoveries of the Other -- 2. Hailed by Koan: Leonard Cohen and the Aesthetics of Loss. Poet, Priest, and Prophet: Community and the Production of the Other. Praying for Translation: Beautiful Losers and the Revenge of Names -- 3. Hubert Aquin: Language and Legitimation. An Other('s) Eye. An Other('s) Past. Language, Legitimation, Representation. Alterity, AlterNation, AlterNative: Symmetry and Rupture in Prochain Episode and Trou de memoire. Prochain Episode and the Originality of the Other: A Battle of Symmetries? The F(l)ight of Reason: Trou de memoire -- 4. 'Scared by the Company of the Mirror': Temptations of Identity and Limits of Control in the Work of Michael Ondaatje. 'Governed by Fears of Certainty'. Sonographs of a Star in the Mirror: 'Author and Hero' in Coming Through Slaughter. Enacting Metaphor: Running in the Family. 'Lights': Oral History and the Writing of the Other in In the Skin of a Lion. 330 8 $aSiemerling concludes that the works under consideration offer heterological discoveries that maintain a productive 'negativity' (Kristeva) with respect to given knowledge and fixed articulations of self and other. 330 8 $aThe texts examined open the space between 'heterological' and 'thetic' moments of alterity. Siemerling explores Cohen's ways of eluding the self-imprisonment of a subject that names and defines the other. Cohen also uses ironic strategies in which the speaking 'I' turns against both itself and the addressee in order to confound thetic certainties. Hubert Aquin's work, responding to a Sartrean concept of alterity and the discourses of decolonization influenced by it, negotiates a historically defined Quebecois experience of domination by the other. The self-reflexive discoveries of the other in Michael Ondaatje's texts follow elusive figures that often appear adumbrated in the margins of history. In the domain of gender and sexuality, Nicole Brossard's texts similarly engage the double problematic of thetic alterity and heterology. 330 $aWinfried Siemerling examines alterity in the work of four innovative postmodern authors, exploring self and other as textual figures of the unknown. Subjectivity appears mediated, in these texts, by a self-reflexive work in language, seeking to grasp itself in relation to a significant and often fascinating, but also enigmatic, other. Siemerling notes that the question of the other constitutes the opening or gap of knowledge that sets the texts in motion. Because the other shows a marked tendency to escape conclusive definition, however, an articulation of the limits of knowledge becomes the condition under which the discovering subject itself apprehends its own precarious being. 410 0$aTheory/culture series. 606 $aCanadian fiction$y20th century$xHistory and criticism 606 $aFrench-Canadian literature$y20th century$xHistory and criticism 606 $aCanadian literature$xPsychological aspects 606 $aDifference (Psychology) in literature 606 $aPostmodernism (Literature)$zCanada 606 $aOutsiders in literature 606 $aSelf in literature 607 $aFranzo?sisch$2swd 607 $aEnglisch$2swd 607 $aKanada$2gnd 607 $aCanada$2fast 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aCanadian fiction$xHistory and criticism. 615 0$aFrench-Canadian literature$xHistory and criticism. 615 0$aCanadian literature$xPsychological aspects. 615 0$aDifference (Psychology) in literature. 615 0$aPostmodernism (Literature) 615 0$aOutsiders in literature. 615 0$aSelf in literature. 676 $a813/.5409353 700 $aSiemerling$b Winfried$f1956-$0876672 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807745403321 996 $aDiscoveries of the other$94120041 997 $aUNINA LEADER 02178oam 2200397z- 450 001 9910140204003321 005 20140508082921.0 035 $a(CKB)2560000000363657 035 $a(BIP)046913854 035 $a(Perlego)2363194 035 $a(EXLCZ)992560000000363657 100 $a20210326d2014 uy | 101 0 $aita 200 00$aDopo i testimoni $eMemorie, storiografie e narrazioni della deportazione razziale 210 $cViella 215 $a1 online resource (392 p.) $cill 311 08$a9788867281596 311 08$a8867281593 311 08$a9788867282623 311 08$a886728262X 330 8 $aLa riflessione sul tramonto di un'era, l'era del testimone della Shoah, ha conosciuto un notevole e per certi versi inatteso sviluppo, che ha posto fine a una stagione durata circa mezzo secolo. Il volume nasce dall'esigenza di ridefinire i limiti delle narrazioni della deportazione e persecuzione razziale in un quadro comparativo europeo, con uno sguardo sui modi della rappresentazione oltreoceano e in Israele. Abbiamo tentato di aprire qualche finestra sui modi attraverso i quali la narrazione della Shoah e cambiata o sta cambiando, mossi dal desiderio di procedere per comparazioni fra diverse metodologie, ma anche fra diversi contesti nazionali. Nel Dizionario dei luoghi comuni di Flaubert alla voce Ebraico corrisponde un lemma nel quale si riflette un pregiudizio ancora diffuso ai nostri giorni: E ebraico tutto quello che non si capisce. Auspichiamo che i contributi raccolti in questo volume aiutino a sconfiggere questo radicato luogo comune. 517 $aDopo i testimoni 606 $aHolocaust, Jewish (1939-1945)$xHistoriography 606 $aWorld War, 1939-1945$xDeportations 606 $aCollective memory 606 $aJews$xPersecutions$xHistory 615 0$aHolocaust, Jewish (1939-1945)$xHistoriography. 615 0$aWorld War, 1939-1945$xDeportations. 615 0$aCollective memory. 615 0$aJews$xPersecutions$xHistory. 700 $aBaiardi$b Marta.$01743882 702 $aCavaglion$b Alberto. 906 $aBOOK 912 $a9910140204003321 996 $aDopo i testimoni$94172792 997 $aUNINA