LEADER 03826nam 22006731 450 001 9910140192903321 005 20200514202323.0 010 $a9781472544728 010 $a1472544722 010 $a9781472503527 010 $a147250352X 010 $a9781472503534 010 $a1472503538 024 7 $a10.5040/9781472544728 035 $a(CKB)2670000000493103 035 $a(EBL)1561325 035 $a(SSID)ssj0001192583 035 $a(PQKBManifestationID)11798791 035 $a(PQKBTitleCode)TC0001192583 035 $a(PQKBWorkID)11229272 035 $a(PQKB)10978950 035 $a(MiAaPQ)EBC1561325 035 $a(OCoLC)863204167 035 $a(UkLoBP)bpp09257335 035 $a(MiAaPQ)EBC6627421 035 $a(Au-PeEL)EBL6627421 035 $a(OCoLC)1252422952 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/92818 035 $a(UkLoBP)BP9781472544728BC 035 $a(oapen)doab92818 035 $a(EXLCZ)992670000000493103 100 $a20140929d2013 uy 0 101 0 $aeng 135 $auran#---uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aJoseph Cornell versus cinema /$fMichael Pigott 210 1$aLondon :$cBloomsbury Academic,$d2013. 215 $a1 online resource (145 pages) $cillustrations; digital, PDF file(s) 225 1 $aThe WISH List 300 $aDescription based upon print version of record. 320 $aIncludes bibliographical references and index. 327 $aCover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component - The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect 327 $aHaptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths - Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Fla?neur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion - The Self as Everyday Object; Notes; Filmography; Bibliography; Index 330 $aJoseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied.However, Cornell also produced an extraordinary body of film work, a serious contribution to 20th-century avant-garde cinema, and this has been much less examined.In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of twentieth century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom. 410 0$aWISH list. 606 $aArt and motion pictures 615 0$aArt and motion pictures. 676 $a791.43023092 676 $a791.430233092 700 $aPigott$b Michael$0802808 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910140192903321 996 $aJoseph Cornell Versus Cinema$91804096 997 $aUNINA