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010   $a9781922064585$b(ebook)
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010   $z9781922064578$b(paperback)
010   $z1922064572$b(paperback)
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100   $a20140122d2013||||  uy|         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aNavigating the kingdom of night /$fAmy T. Matthews$b[electronic resource]
210  1$aAdelaide :$cThe University of Adelaide Press,$d2013.
215   $a1 online resource (160 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015).
311 08$aPrint version: 9781922064578 
320   $aIncludes bibliographical references (pages [153]-160)
327   $tWhy? --$tLiterary risk and moral peril --$tTaking a breath --$tFantastic narrative strategies --$tAmy, meet Molly --$tThe great redraft --$tTriangulation of memory --$tBeyond the kingdom of night.
330   $aIn 2011, Amy T Matthews published End of the Night Girl with Wakefield Press, a novel which engages creatively with questions of identity politics and the ethics of fictionalising the Holocaust. In Navigating the Kingdom of Night, Matthews contextualises End of the Night Girl in terms of the critical debate surrounding Holocaust fiction. Navigating the Kingdom of Night analyses various literary strategies adopted by authors of Holocaust fiction, including the non-realist narrative techniques used by authors such as Yaffa Eliach, Jonathan Safran Foer and John Boyne and the self-reflexivity of Art Spiegelman. Matthews frames the discussion by self-examining her experience as an author of a Holocaust fiction.
606   $aHolocaust, Jewish (1939-1945), in literature$xHistory and criticism
606   $aWorld War, 1939-1945$xLiterature and the war
615  0$aHolocaust, Jewish (1939-1945), in literature$xHistory and criticism.
615  0$aWorld War, 1939-1945$xLiterature and the war.
676   $a809.93358405318
700   $aMatthews$b Amy T.$0891517
712 02$aUniversity of Adelaide Press,
801  0$bUkCbUP
801  1$bUkCbUP
912   $a9910140174403321
996   $aNavigating the kingdom of night$91991302
997   $aUNINA