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035   $a(WaSeSS)IndRDA00044597
035   $a(FrMaCLE)OB-ksp-259
035   $a(oapen)https://directory.doabooks.org/handle/20.500.12854/85565
035   $a(PPN)182830063
035   $a(EXLCZ)992560000000352060
100   $a20160829d2013      uy             |
101 0 $ager
135   $aur|||||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aFarbe - Macht - körper $ekritische weissseinsforschung in der europäischen kunstgeschichte /$fAnna Greve
210   $aKarlsruhe$cKIT Scientific Publishing$d2013
210 31$aKarlsruhe :$cKIT Scientific Publishing,$d2013
215   $a1 online resource (330 pages) $cillustrations
225 1 $aKIT Scientific Publishing
300   $aBibliographic Level Mode of Issuance: Monograph
320   $aIncludes bibliographical references.
330   $aFrom the 16th century to the 18th century skin colours have been stereotyped and stylised as essential characteristics of race. Colour is of vital importance for artistic constructions of the body. This publication examines to what extent art has prepared the racist discourse by visual means and thus exercises structural violence. It is shown that the materialisation of imaginary images contributes to the construction of difference in artworks.
606   $aVisual Arts$2HILCC
606   $aArt, Architecture & Applied Arts$2HILCC
606   $aVisual Arts - General$2HILCC
610   $aHautfarbe
610   $aRassismus
610   $aWeißseinforschung
615  7$aVisual Arts
615  7$aArt, Architecture & Applied Arts
615  7$aVisual Arts - General
700   $aGreve$b Anna$0985435
801  0$bPQKB
801  2$bUkMaJRU
906   $aBOOK
912   $a9910140101903321
996   $aFarbe - Macht - körper$92252496
997   $aUNINA