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010   $a9786612171444
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100   $a20091005d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdamedia
200 14$aThe visible world $eSamuel van Hoogstraten's art theory and the legitimation of painting in the Dutch golden age /$fThijs Weststeijn ; translated by Beverley Jackson and Lynne Richards
210   $a[Amsterdam] $cAmsterdam University Press$d2008
215   $a1 online resource (475 pages) $cillustrations (some color)
225 1 $aAmsterdam studies in the Dutch golden age
311 0 $a90-8964-027-4 
320   $aIncludes bibliographical references (p. 443-462) and indexes.
327   $aTable of Contents; Preface and Acknowledgements; Introduction; Ch I: Samuel van Hoogstraten in the Republic of Letters; Ch II:The Visible World; Ch III:Pictorial Imitation; Ch IV:The Depiction of the Passions; Ch V:The Eloquence of Colour; Ch VI:Painting as a Mirror of Nature; Excursus: Painting as a 'Sister of Philosophy'; Conclusion; Bibliographical abbreviations; Notes; Bibliography; Studies; Index of subjects; Index of names
330   $aProvides an ambitious overview of Dutch artists' ideas on painting
410  0$aAmsterdam studies in the Dutch golden age.
606   $aPainting, Dutch$y17th century
615  0$aPainting, Dutch
676   $a700-9492
700   $aWeststeijn$b Thijs$0910155
701   $aJackson$b Beverley$0879215
701   $aRichards$b Lynne$0910156
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910139924003321
996   $aThe visible world$92037115
997   $aUNINA