LEADER 05547nam 2200781 a 450 001 9910139781203321 005 20200520144314.0 010 $a9786612171253 010 $a9781282171251 010 $a1282171259 010 $a9789048501229 010 $a9048501229 024 7 $a10.1515/9789048501229 035 $a(CKB)1000000000789563 035 $a(EBL)456860 035 $a(OCoLC)471127262 035 $a(SSID)ssj0000276860 035 $a(PQKBManifestationID)11229937 035 $a(PQKBTitleCode)TC0000276860 035 $a(PQKBWorkID)10226505 035 $a(PQKB)10754325 035 $a(DE-B1597)532742 035 $a(DE-B1597)9789048501229 035 $a(UkCbUP)CR9789048501229 035 $a(Au-PeEL)EBL456860 035 $a(CaPaEBR)ebr10314661 035 $a(CaONFJC)MIL217125 035 $a(Au-PeEL)EBL31780060 035 $a(MiAaPQ)EBC456860 035 $a(ScCtBLL)f42b6881-35f7-41c7-9f3e-2fdce12b5088 035 $a(OCoLC)1163807307 035 $a(Perlego)1459344 035 $a(EXLCZ)991000000000789563 100 $a20080905d2008 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAnatomy live $eperformance and the operating theatre /$fedited by Maaike Bleeker 205 $a1st ed. 210 $a[Amsterdam] $cAmsterdam University Press$dc2008 210 1$aAmsterdam : $cAmsterdam University Press, $d[2008] 210 4$d©2008 215 $a1 online resource (270 pages) $cdigital, PDF file(s) 225 1 $aMediaMatters 300 $aSelected papers presented at the conference "The Anatomical Theatre Revisited" in 2006. 311 08$a9789053565162 311 08$a9053565167 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tAcknowledgements --$tPrologue Men with Glass Bodies /$rBarker, Francis --$tIntroduction /$rBleeker, Maaike --$tPerformance Documentation 1: Holoman; Digital Cadaver /$rTyler, Mike --$tDigital Cadavers and Virtual Dissection /$rDijck, José van --$t'Who Were You?': The Visible and the Visceral /$rMaxwell, Ian --$tPerformance Documentation 2: Excavations : Fresh but Rotten /$rBoulogne, Marijs --$tThe Anatomy Lesson of Professor Moxham /$rIngham, Karen --$t'Be not faithless but believing': Illusion and Doubt in the Anatomy Theatre /$rBouchard, Gianna --$tPerformance Documentation 3: De Anatomische Les /$rTetley, Glen --$tOf Dissection and Technologies of Culture in Actor Training Programs - an Example from 1960's West Germany /$rKlöck, Anja --$tOcular Anatomy, Chiasm, and Theatre Architecture as a Material Phenomenology in Early Modern Europe /$rCamp, Pannill --$tPerformance Documentation 4: Camillo - Memo 4.0: The Cabinet of Memories - A Tear Donnor Session /$rHrvatin, Emil --$tMartin , Massumi , and The Matrix /$rBleeker, Maaike --$tPerformance Documentation 5: sensing presence no. 1: performing a hyperlink system /$rCopraij / Jenniches / Kunzmann --$t'Where Are You Now?': Locating the Body in Contemporary Performance /$rFoster, Susan Leigh --$tPerformance Documentation 6: Under My Skin /$rMüller, Ivana --$tAnatomies of Live Art /$rNorman, Sally Jane --$tPerformance Documentation 7: Crash /$rJoris, Eric --$tRestaging the Monstrous /$rKunst, Bojana --$tDelirium of the Flesh: 'All the Dead Voices' in the Space of the Now /$rKobialka, Michal --$tPerformance Documentation 8: Körper /$rWaltz, Sasha --$tOperating Theatres: Body-bits and a Post-apartheid Aesthetics /$rFensham, Rachel --$tIndex 330 $aGross anatomy, the study of anatomical structures that can be seen by unassisted vision, has long been a subject of fascination for artists. For most modern viewers, however, the anatomy lesson 'the technically precise province of clinical surgeons and medical faculties' hardly seems the proper breeding ground for the hybrid workings of art and theory. We forget that, in its early stages, anatomy pursued the highly theatrical spirit of Renaissance science, as painters such as Rembrandt and Da Vinci and medical instructors like Fabricius of Aquapendente shared audiences devoted to the workings of the human body. 'Anatomy Live/Performance and the Operating Theatre/ a remarkable consideration of new developments on the stage, as well as in contemporary writings of theorists such as Donna Haraway and Brian Massumi, turns our modern notions of the dissecting table on its head' using anatomical theatre as a means of obtaining a fresh perspective on representations of the body, conceptions of subjectivity, and own knowledge about science and the stage. Critically dissecting well-known exhibitions like 'Body Worlds' and 'The Visible Human Project' and featuring contributions from a number of diverse scholars on such subjects as the construction of spectatorship and the implications of anatomical history, 'Anatomy Live' is not to be missed by anyone with an interest in this engaging intersection of science and artistic practice. 410 0$aMediaMatters. 606 $aTheater$xPhilosophy$vCongresses 606 $aTheater$xHistory$vCongresses 606 $aPerformance art$vCongresses 615 0$aTheater$xPhilosophy 615 0$aTheater$xHistory 615 0$aPerformance art 676 $a792.01 701 $aBleeker$b Maaike$0932330 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910139781203321 996 $aAnatomy live$94204090 997 $aUNINA