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100   $a20110519d2012      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe art and science of HDR imaging$b[electronic resource] /$fJohn J. McCann, Alessandro Rizzi
205   $a1st ed.
210   $aChichester, West Sussex, U.K. ;$aHoboken, N.J. $cWiley$d2012
215   $a1 online resource (417 p.)
225 1 $aWiley-IS&T series in imaging science and technology
300   $aDescription based upon print version of record.
311   $a0-470-66622-6 
320   $aIncludes bibliographical references and indexes.
327   $asection A. History of HDR imaging -- section B. Measured dynamic ranges -- section C. Separating glare and contrast -- section D. Scene content controls appearance -- section E. Color HDR -- section F. HDR image processing.
330   $aRendering High Dynamic Range (HDR) scenes on media with limited dynamic range began in the Renaissance whereby painters, then photographers, learned to use low-range spatial techniques to synthesize appearances, rather than to reproduce accurately the light from scenes. The Art and Science of HDR Imaging presents a unique scientific HDR approach derived from artists' understanding of painting, emphasizing spatial information in electronic imaging. Human visual appearance and reproduction rendition of the HDR world requires spatial-image processing to overcome the veiling glare limits
410  0$aWiley-IS&T series in imaging science and technology.
606   $aHigh dynamic range imaging
615  0$aHigh dynamic range imaging.
676   $a771/.44
700   $aMcCann$b John J.$f1942-$0861786
701   $aRizzi$b Alessandro$f1965-$066465
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910139573503321
996   $aThe art and science of HDR imaging$91923341
997   $aUNINA