LEADER 03496 am 22006853u 450 001 9910139562103321 005 20230725053804.0 010 $a1-283-33443-7 010 $a9786613334435 010 $a90-485-1209-3 035 $a(CKB)2550000000063868 035 $a(EBL)819863 035 $a(OCoLC)768082926 035 $a(SSID)ssj0000632574 035 $a(PQKBManifestationID)12309453 035 $a(PQKBTitleCode)TC0000632574 035 $a(PQKBWorkID)10610369 035 $a(PQKB)11160944 035 $a(SSID)ssj0000648451 035 $a(PQKBManifestationID)12266433 035 $a(PQKBTitleCode)TC0000648451 035 $a(PQKBWorkID)10597440 035 $a(PQKB)11227197 035 $a(MiAaPQ)EBC819863 035 $a(Au-PeEL)EBL819863 035 $a(CaPaEBR)ebr10513464 035 $a(CaONFJC)MIL333443 035 $a(EXLCZ)992550000000063868 100 $a20111221d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBetween stillness and motion$b[electronic resource] $efilm, photography, algorithms /$fedited by Eivind Røssaak 210 $aAmsterdam $cAmsterdam University Press$d2011 215 $a1 online resource (245 p.) 225 1 $aFilm culture in transition 300 $aDescription based upon print version of record. 311 $a90-8964-213-7 311 $a90-8964-212-9 320 $aIncludes bibliographical references. 327 $aBetween Stillness and Motion; Contents; Acknowledgements; Introduction; The Still/Moving Field: An Introduction; Philosophies of Motion; The Play between Still and Moving Images: Nineteenth-Century "Philosophical Toys"and Their Discourse; Digital Technics Beyond the "Last Machine": Thinking Digital Media with Hollis Frampton; The Use of Freeze and Slide Motion; The Figure of Visual Stand still in R.W. Fassbinder's Films; The Temporalities of the Narrative Slide Motion Film; The Cinematic Turn in the Arts; Stop/Motion; After "Photography's Expanded Field" 327 $aOn Otto: Moving Images and the New CollectivityThe Algorithmic Turn; Mutable Temporality In and Beyond the Music Video: An Aesthetic of Post-Production; Algorithmic Culture: Beyond the Photo/Film Divide; Archives in Between; "The Archives of the Planet" and Montage: The Movement of the Crowd and "the Rhythm of Life"; General Bibliography; Contributors 330 $aNew technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the 'illusion of motion' as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blu?mlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. T 410 0$aFilm culture in transition. 606 $aQuietude 606 $aSilence in motion pictures 615 0$aQuietude. 615 0$aSilence in motion pictures. 676 $a791.43 676 $a796.8/155 701 $aRøssaak$b Eivind$0904487 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910139562103321 996 $aBetween stillness and motion$92022421 997 $aUNINA