LEADER 03453nam 2200589 450 001 9910139359803321 005 20220817133642.0 010 $a1-282-48257-2 010 $a9786612482571 010 $a1-4443-2007-6 010 $a1-4443-2008-4 035 $a(CKB)2520000000008710 035 $a(EBL)485681 035 $a(OCoLC)606610172 035 $a(SSID)ssj0000357827 035 $a(PQKBManifestationID)11269189 035 $a(PQKBTitleCode)TC0000357827 035 $a(PQKBWorkID)10359052 035 $a(PQKB)11373671 035 $a(MiAaPQ)EBC485681 035 $a(MiAaPQ)EBC6817957 035 $a(Au-PeEL)EBL6817957 035 $a(EXLCZ)992520000000008710 100 $a20220817d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChromatic cinema $ea history of screen color /$fRichard Misek 210 1$aChichester, England ;$aMalden, Massachusetts :$cWiley-Blackwell,$d[2010] 210 4$dİ2010 215 $a1 online resource (249 p.) 300 $aDescription based upon print version of record. 311 $a1-4443-3239-2 320 $aIncludes bibliographical references (pages [195]-209) and index. 327 $aChromatic Cinema; Contents; List of Plates; Acknowledgments; Introduction; 1. Film Color; Coloration in Early Cinema, 1895-1927; The Rise of Technicolor, 1915-35; Chromatic Cold War: Black-and-White and Color in Opposition; "Technicolor Is Natural Color": Color and Realism, 1935-58; Chromatic Thaw: Hollywood's Transition to Color, 1950-67; 2. Surface Color; Color in European Film, 1936-67; Chromatic Ambivalence: Art Cinema's Transition to Color; "Painting with Light": Cinema's Imaginary Art History; Unmotivated Chromatic Hybridity 327 $aMonochrome Purgatory: Absent Color in the Soviet Bloc, 1966-753. Absent Color; Black-and-White as Technological Relic, 1965-83; Black-and-White Flashbacks: Codifying Temporal Rebirth; Black-and-White Films, 1967-2007; Nostalgia and Pastiche; 4. Optical Color; Cinema's Newtonian Optics; White Light: Hollywood's Invisible Ideology; Darkness Visible: From Natural Light to "Neo-Noir," 1968-83; Cinematography and Color Filtration, 1977-97; Case Study: Seeing Red in Psycho; 5. Digital Color; Crossing the Chromatic Wall in Wings of Desire; An Archaeology of Digital Intermediate, 1989-2000 327 $aDigital Color Aesthetics, 2000-9Conclusion: Painting by Numbers?; Notes; Bibliography; Index 330 $aChromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation. Offers both a history and a theory of screen color in the first full-length study ever publishedProvides an in-depth yet accessible account of color's spread through and ultimate effacement of black-and-white cinema, exploring the technological, cultural, economic, and artistic factors that have defined this evolving sym 606 $aColor cinematography$xHistory 608 $aElectronic books. 615 0$aColor cinematography$xHistory. 676 $a778.5342 700 $aMisek$b Richard$f1962-$0907061 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910139359803321 996 $aChromatic cinema$92028950 997 $aUNINA