LEADER 02367nam 2200517 a 450 001 9910139181103321 005 20200520144314.0 010 $a1-74223-210-8 035 $a(CKB)2560000000056292 035 $a(EBL)533800 035 $a(OCoLC)647917245 035 $a(SSID)ssj0000282904 035 $a(PQKBManifestationID)11207542 035 $a(PQKBTitleCode)TC0000282904 035 $a(PQKBWorkID)10336317 035 $a(PQKB)10064749 035 $a(MiAaPQ)EBC533800 035 $a(Au-PeEL)EBL533800 035 $a(CaPaEBR)ebr10381403 035 $a(EXLCZ)992560000000056292 100 $a20100618h20092007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPlutonium$b[electronic resource] $ea history of the world's most dangerous element /$fJeremy Bernstein 210 $aSydney, N.S.W. $cNew South$d2009, c2007 215 $a1 online resource (213 p.) 300 $aDescription based upon print version of record. 311 $a1-74223-088-1 320 $aIncludes bibliographical references (p. 173-182) and index. 327 $aBlank Page; Blank Page; Contents; Acknowledgments; Prologue; I Preamble; II The History of Uranium; III The Periodic Table; IV Frau Ro?ntgen's Hand; V Close Calls; VI Fissions; VII Transuranics; VIII Plutonium Goes to War; IX Los Alamos; X Electrons; XI Now What?; Notes; Credits; Index 330 $aHistorically fascinating and scientifically rigorous, Plutonium tells the story of a rare and exotic element put to deadly use in atomic bombs, from its discovery to the present day. From the discovery of uranium in 1789 to the Manhattan Project, from Nazi efforts to build a nuclear bomb to the cold war between the USA and USSR, Bernstein tells the important story of one of nature's rarest elements, put to deadly use in nuclear weapons. Along the way, he paints revealing pen portraits of scientists who helped discover the element and produce it in vast quantities during World War II-from Marie 606 $aPlutonium 608 $aElectronic books. 615 0$aPlutonium. 676 $a546.434 22 700 $aBernstein$b Jeremy$f1929-$044845 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910139181103321 996 $aPlutonium$92104471 997 $aUNINA LEADER 04655nam 2200745 a 450 001 9910781707303321 005 20230620201834.0 010 $a0-8156-5139-2 035 $a(CKB)2550000000052634 035 $a(OCoLC)759158748 035 $a(CaPaEBR)ebrary10493611 035 $a(SSID)ssj0000539224 035 $a(PQKBManifestationID)11369656 035 $a(PQKBTitleCode)TC0000539224 035 $a(PQKBWorkID)10570466 035 $a(PQKB)10475078 035 $a(MiAaPQ)EBC3410046 035 $a(MdBmJHUP)muse3677 035 $a(Au-PeEL)EBL3410046 035 $a(CaPaEBR)ebr10493611 035 $a(CaONFJC)MIL945759 035 $a(EXLCZ)992550000000052634 100 $a20110304d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aModernity, sexuality, and ideology in Iran $ethe life and legacy of a popular female artist /$fKamran Talattof 205 $aFirst edition. 210 1$aSyracuse, N.Y. :$cSyracuse University Press,$d2011. 215 $a1 online resource (x, 318 pages) $cillustrations 225 1 $aModern intellectual and political history of the Middle East 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-8156-3224-X 320 $aIncludes bibliographical references and index. 327 $aAcademic writing and writing about lives : an introduction -- Modernity, sexuality, and popular culture : Iran's social agony -- Iranian women and public space in the seventies : Shahrzad, a woman of her time -- Seduction, sin, and salvation : spurious sexuality in dance and film -- Shahrzad as a writer : the question of literary modernity -- Social change in Iran and the transforming lives of women artists -- Ideology, sexuality, and sexual agency : an afterword. 330 $aIn Iran, since the mid-nineteenth century, one issue has been a common concern: how should Iran become modern? More than a century of struggle for or against modernity has constituted much of the social, political, and cultural history of the country. In the decades since the 1979 Revolution, the question has become even more critical. In Modernity, Sexuality, and Ideology in Iran, Talattof finds that the process of modernity never truly unfolded, due in large part to Iran's reluctance to embrace the seminal subjects of gender and sexuality. Talattof's approach reflects a unique look at modernity as not only advances in industry and economy but also advances toward an open, intellectual discourse on sexuality. Exploring the life and times of Shahrzad, a dancer, actress, filmmaker, and poet, Talattof illuminates the country's struggle with modernity and the ideological, traditional, and religious resistance against it. Born in 1946, she performed in several theater productions, became an acclaimed film star in the 1970s, and pursued a career as a journalist and poet. Following the revolution, she was imprisoned and eventually became homeless on the streets of Tehran. Her success and eventual decline as a female artist and entertainer illustrate the conflict between modernity and tradition and Iran's failure to embrace an overt expression of sexuality. 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