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010   $a9781283011594
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100   $a20090203d2009      ub         0
101 0 $aeng
135   $aur||#---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aParodies of ownership $ehip-hop aesthetics and intellectual property law /$fRichard L. Schur
210  1$aAnn Arbor :$cUniversity of Michigan Press,$dc2009.
215   $a1 online resource (xiv, 236 pages) $cdigital file(s)
300   $aBibliographic Level Mode of Issuance: Monograph
311 08$a9780472050604 
311 08$a0472050605 
320   $aIncludes bibliographical references and index.
327   $aIntro -- Contents -- 1. From Chattel to Intellectual Property: Legal Foundations of African American Cultural Critique -- 2. Critical Race Theory, Signifyin', and Cultural Ownership -- 3. Defining Hip-Hop Aesthetics -- 4. Claiming Ownership in the Post-Civil Rights Era -- 5. "Fair Use" and the Circulation of Racialized Texts -- 6. "Transformative Uses": Parody and Memory -- 7. From Invisibility to Erasure? The Consequences of Hip-Hop Aesthetics -- Notes -- Bibliography -- Index.
330   $aAn intriguing interdisciplinary examination of hip hop aesthetics.
606   $aAfrican Americans in popular culture
606   $aAfrican Americans$xLegal status, laws, etc
606   $aHip-hop$xInfluence
606   $aIntellectual property$zUnited States
615  0$aAfrican Americans in popular culture.
615  0$aAfrican Americans$xLegal status, laws, etc.
615  0$aHip-hop$xInfluence.
615  0$aIntellectual property
676   $a342.730873
686   $aMUS031000$aSOC000000$aSOC001000$2bisacsh
700   $aSchur$b Richard L.$0801205
801  0$bMiU
801  1$bMiU
906   $aBOOK
912   $a9910139167703321
996   $aParodies of ownership$91802562
997   $aUNINA