LEADER 05834nam 22008171 450 001 9910139018303321 005 20200520144314.0 010 $a1-118-51505-6 010 $a1-118-51507-2 010 $a1-118-51510-2 010 $a1-118-51506-4 035 $a(CKB)2550000001163187 035 $a(EBL)1498517 035 $a(SSID)ssj0001173516 035 $a(PQKBManifestationID)11638953 035 $a(PQKBTitleCode)TC0001173516 035 $a(PQKBWorkID)11104546 035 $a(PQKB)11043842 035 $a(Au-PeEL)EBL1498517 035 $a(CaPaEBR)ebr10804825 035 $a(Au-PeEL)EBL4035989 035 $a(CaPaEBR)ebr11110763 035 $a(CaONFJC)MIL545325 035 $a(MiAaPQ)EBC1498517 035 $a(OCoLC)861559787 035 $a(MiAaPQ)EBC4035989 035 $a(PPN)188041516 035 $a(JP-MeL)3000131754 035 $a(EXLCZ)992550000001163187 100 $a20131026d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to modern African Art /$fedited by Gitti Salami and Monica Blackmun Visona 205 $aFirst edition. 210 1$aChichester, West Sussex :$cWiley Blackwell,$d2013. 215 $a1 online resource (650 p.) 225 1 $aWiley Blackwell companions in art history ;$v6 300 $aIncludes bibliographical references and index 311 $a1-4443-3837-4 311 $a1-306-14074-9 320 $aIncludes bibliographical references and index. 327 $aA Companion to Modern African Art; Copyright; Contents; List of Figures; Notes on Contributors; Acknowledgments; Part I Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II "Africa Has Always Been Modern"; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities 327 $aAfro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi SynthesisThe Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories 327 $aThe Loango Ivories"Authenticity": Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980); "COME ONE! COME ALL! and secure the shadow ere it fades"; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers 327 $aThe Democratization of Photography: The Case of Fumban, CameroonNotes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics; "Modernity" in African Art History; Challenging "Modernity" and "Place" on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations 327 $aInvisibility and DifferenceLast Word: The Lines of a Future Argument; Notes; References; Part IV Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7 "One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations; "And They Do Not Spare Any Effort in Preserving These Things"; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References 327 $a8 Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception 330 $a Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across AfricaIncludes original and previously unpublished fieldwork-based materialFeatures new and complex theoretical arguments about the nature of modernity an 410 0$aBlackwell companions to art history ;$v6. 606 $aArt, African$y20th century 606 $aArt, African$y19th century 606 $aArt, African$y21st century 615 0$aArt, African 615 0$aArt, African 615 0$aArt, African 676 $a704.03 676 $a704.0396073 686 $a702.4$2njb/09 686 $a709.6$2njb/09 701 $aSalami$b Gitti$01383547 701 $aVisona$b Monica Blackmun$f1953-$01383548 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910139018303321 996 $aA companion to modern African Art$93428493 997 $aUNINA LEADER 02573nam0 2200565 i 450 001 VAN00132806 005 20240806100837.751 017 70$2N$a9783319015507 100 $a20210326d2014 |0itac50 ba 101 $aeng 102 $aCH 105 $a|||| ||||| 200 1 $aAdvanced Materials for Integrated Optical Waveguides$fXingcun Colin Tong 210 $aCham$cSpringer$d2014 215 $axxvii, 552 p.$cill.$d24 cm 410 1$1001VAN00063131$12001 $aSpringer series in advanced microelectronics$1210 $aBerlin [etc.]$cSpringer$v46 500 1$3VAN00134778$aAdvanced Materials for Integrated Optical Waveguides$91768751 606 $a00A79 (77-XX)$xPhysics [MSC 2020]$3VANC023182$2MF 606 $a78-XX$xOptics, electromagnetic theory [MSC 2020]$3VANC022356$2MF 606 $a81-XX$xQuantum theory [MSC 2020]$3VANC019967$2MF 610 $aCharacterization Methodologies of Optical Waveguides$9KW:K 610 $aDesign Guide$9KW:K 610 $aElectro-Optic Waveguides$9KW:K 610 $aFundamental Theory$9KW:K 610 $aGlass Waveguides$9KW:K 610 $aHollow Waveguides$9KW:K 610 $aIntegrated Optical Waveguides$9KW:K 610 $aIntegrated Optical Waveguides Advanced Materials$9KW:K 610 $aMetamaterial Waveguides$9KW:K 610 $aOptical Waveguides$9KW:K 610 $aOptical Waveguides, Perspectives and Future Trends$9KW:K 610 $aOptical fiber$9KW:K 610 $aOptoelectronic Devices Integrated with Optical Waveguides$9KW:K 610 $aPolymer Based Optical Waveguides$9KW:K 610 $aSemiconductor Waveguides$9KW:K 610 $aSilicon-on-insulator Waveguides$9KW:K 620 $aCH$dCham$3VANL001889 700 1$aTong$bXingcun C.$3VANV096023$0782732 712 $aSpringer $3VANV108073$4650 790 1$aTong, Xingcun Colin$zTong, Xingcun C.$3VANV100328 790 1$aTong, X. C.$zTong, Xingcun C.$3VANV103638 790 1$aTong, X.C.$zTong, Xingcun C.$3VANV213391 801 $aIT$bSOL$c20250314$gRICA 856 4 $uhttp://doi.org/10.1007/978-3-319-01550-7$zE-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth 899 $aBIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$1IT-CE0120$2VAN08 912 $fN 912 $aVAN00132806 950 $aBIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$d08DLOAD e-book 1995 $e08eMF1995 20210326 996 $aAdvanced Materials for Integrated Optical Waveguides$91768751 997 $aUNICAMPANIA