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200 00$aWho hears in Shakespeare?$b[electronic resource] $eauditory world, stage and screen /$feditors, Laury Magnus, Walter W. Cannon
210   $aMadison,NJ $cFairleigh Dickinson University Press ;$aLanham, Md. $cRowman & Littlefield$dc2012
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300   $aDescription based upon print version of record.
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320   $aIncludes bibliographical references and index.
327   $aWhy was the Globe round? / Andrew Gurr -- Guarded, unguarded, and unguardable speech in late Renaissance drama / James Hirsh -- Hearing complexity : speech, reticence, and the construction of character / Walter W. Cannon -- If this be worth your hearing : theorizing gossip on Shakespeare's stage / Jennifer Holl -- Mimetic hearing and meta-hearing in Hamlet / David Bevington -- Hearing and overhearing in The tempest / David Bevington -- Asides and multiple audiences in The merchant of Venice / Anthony Burton -- And now behold the meaning : audience, interpretation, and translation in All's well that ends well and Henry V / Kathleen Kalpin Smith -- Hearing power in Measure for measure / Bernice W. Kliman -- Hark, a word in your ear : whispers, asides, and interpretation in Troilus and Cressida / Nova Myhill -- Mutes or audience to this act : eavesdroppers in Branagh's Shakespeare films / Philippa Sheppard -- Overhearing Malvolio for pleasure or pity : the letter scene and the dark house scene in Twelfth night on stage and screen / Gayle Gaskill -- But mark his gesture : hearing and seeing in Othello's eavesdropping scene / Erin Minear.
330   $aThis volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as soliloquies, asides, eavesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing.  </sp
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200 10$aStrategic fixed income investing $ean insider's perspective on bond markets, analysis, and portfolio management /$fSean P. Simko
205   $a1st edition
210  1$aHoboken, New Jersey :$cWiley,$d[2013]
210  4$d©2013
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327   $apart one. The investing environment -- part two. The fixed income investor.
330   $aBuild a fixed income portfolio that will weather volatility and instability Designing a fixed income portfolio is an essential skill of any investment manager or advisor. This book outlines the critical components to successfully navigate through stable and turbulent markets, using real-life lessons from a seasoned institutional asset manager. The first section includes commentary on the changing fixed income market and overall economy, while the second section outlines the processes to navigate these ever-evolving markets including portfolio construction, the Federal Reserve, credit
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