LEADER 04368oam 2200757 u 450 001 9910138856103321 005 20230621135919.0 010 $a0-8223-7828-0 035 $a(CKB)2550000001139437 035 $a(EBL)1603773 035 $a(SSID)ssj0001037220 035 $a(PQKBManifestationID)11668221 035 $a(PQKBTitleCode)TC0001037220 035 $a(PQKBWorkID)11043743 035 $a(PQKB)11274880 035 $a(MiAaPQ)EBC1603773 035 $a(EXLCZ)992550000001139437 100 $a20140203d2013|||| u|| 0 101 0 $aeng 135 $aurmn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMy voice is my weapon $emusic, Nationalism, and the poetics of Palestinian resistance /$fDavid McDonald 210 1$aDurham :$cDuke University Press,$d2013. 215 $a1 online resource (xix, 338 pages) $cillustrations; digital file(s) 300 $aDescription based upon print version of record. 311 08$aPrint version: 9780822354680 320 $aIncludes bibliographical references and index. 327 $aNationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The first Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank. 330 $aDavid A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. 606 $aPalestinian Arabs$xMusic$xHistory and criticism 606 $aMusic$xPolitical aspects$zIsrael 606 $aMusic$xPolitical aspects$zGaza Strip 606 $aMusic$xPolitical aspects$zWest Bank 606 $aMusic -- Political aspects -- Gaza Strip 606 $aMusic -- Political aspects -- Israel 606 $aMusic -- Political aspects -- West Bank 606 $aPalestinian Arabs -- Music -- History and criticism 606 $aPalestinian Arabs$xHistory and criticism$xMusic$zIsrael 606 $aMusic$xPolitical aspects$zGaza Strip 606 $aMusic$xPolitical aspects$zWest Bank 606 $aMusic$xPolitical aspects 615 0$aPalestinian Arabs$xMusic$xHistory and criticism. 615 0$aMusic$xPolitical aspects 615 0$aMusic$xPolitical aspects 615 0$aMusic$xPolitical aspects 615 4$aMusic -- Political aspects -- Gaza Strip. 615 4$aMusic -- Political aspects -- Israel. 615 4$aMusic -- Political aspects -- West Bank. 615 4$aPalestinian Arabs -- Music -- History and criticism. 615 0$aPalestinian Arabs$xHistory and criticism$xMusic 615 0$aMusic$xPolitical aspects 615 0$aMusic$xPolitical aspects 615 0$aMusic$xPolitical aspects. 676 $a780.89/9274 676 $a780.899274 700 $aMcDonald$b David A$0904804 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 801 2$bUkMaJRU 906 $aBOOK 912 $a9910138856103321 996 $aMy voice is my weapon$92023488 997 $aUNINA