LEADER 02209nam 2200649 450 001 9910480672703321 005 20220207214547.0 010 $a1-78533-064-0 035 $a(CKB)3710000000577236 035 $a(EBL)4351163 035 $a(SSID)ssj0001625748 035 $a(PQKBManifestationID)16363576 035 $a(PQKBTitleCode)TC0001625748 035 $a(PQKBWorkID)14931628 035 $a(PQKB)10316916 035 $a(SSID)ssj0001673737 035 $a(PQKBManifestationID)16472255 035 $a(PQKBTitleCode)TC0001673737 035 $a(PQKBWorkID)15013180 035 $a(PQKB)10830153 035 $a(MiAaPQ)EBC4351163 035 $a(EXLCZ)993710000000577236 100 $a20160205h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aIn search of legitimacy $ehow outsiders become part of an Afro-Brazilian tradition /$fLauren Miller Griffith 210 1$aNew York, [New York] ;$aOxford, [England] :$cBerghahn,$d2016. 210 4$dİ2016 215 $a1 online resource (206 p.) 225 1 $aDance and Performance Studies 300 $aIncludes index. 311 $a1-78533-063-2 327 $aPages:1 to 25; Pages:26 to 50; Pages:51 to 75; Pages:76 to 100; Pages:101 to 125; Pages:126 to 150; Pages:151 to 175; Pages:176 to 200; Pages:201 to 206 410 0$aDance and performance studies. 606 $aCapoeira (Dance)$xSocial aspects$zBrazil 606 $aCapoeira (Dance)$xStudy and teaching$zBrazil 606 $aVisitors, Foreign$zBrazil$xSocial conditions 606 $aCulture and tourism$zBrazil 606 $aBlack people$zBrazil$vSocial life and customs 608 $aElectronic books. 615 0$aCapoeira (Dance)$xSocial aspects 615 0$aCapoeira (Dance)$xStudy and teaching 615 0$aVisitors, Foreign$xSocial conditions. 615 0$aCulture and tourism 615 0$aBlack people 676 $a793.3/1981 700 $aGriffith$b Lauren Miller$0865002 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910480672703321 996 $aIn search of legitimacy$91930667 997 $aUNINA LEADER 02822nam 2200601 a 450 001 9910138854603321 005 20230313175231.0 010 $a1-118-56199-6 010 $a1-118-56616-5 010 $a1-118-56621-1 010 $a1-299-18898-2 035 $a(CKB)2550000001005939 035 $a(EBL)1124645 035 $a(SSID)ssj0000831894 035 $a(PQKBManifestationID)11966393 035 $a(PQKBTitleCode)TC0000831894 035 $a(PQKBWorkID)10881254 035 $a(PQKB)10394412 035 $a(Au-PeEL)EBL1124645 035 $a(CaPaEBR)ebr10660548 035 $a(CaONFJC)MIL450148 035 $a(CaSebORM)9781118566169 035 $a(MiAaPQ)EBC1124645 035 $a(OCoLC)828198490 035 $a(EXLCZ)992550000001005939 100 $a20111113d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aDigital audiovisual archives /$feditor, Peter Stockinger 205 $aFirst edition. 210 1$aLondon :$cISTE,$d2012. 215 $a1 online resource (xvii, 302 pages) 225 1 $aISTE 300 $aDescription based upon print version of record. 311 0 $a1-84821-338-7 320 $aIncludes bibliographical references and index. 327 $aAnalyzing an audiovisual corpus of A thousand and one nights -- Analyzing a corpus of traditional bread making -- Republishing audiovisual resources -- An archive on the intangible cultural heritage of Andean populations in Peru and Bolivia -- An audiovisual Azerbaijani cultural heritage portal for educational and academic use -- Academic communication via Facebook and Twitter -- Uses for digital content sharing platforms -- Uses for content aggregators and community networks -- Tracing video usage : the potential of VDI. 330 $aToday, huge quantities of digital audiovisual resources are already available - everywhere and at any time - through Web portals, online archives and libraries, and video blogs. One central question with respect to this huge amount of audiovisual data is how they can be used in specific (social, pedagogical, etc.) contexts and what are their potential interest for target groups (communities, professionals, students, researchers, etc.).This book examines the question of the (creative) exploitation of digital audiovisual archives from a theoretical, methodological, technical and practical 410 0$aISTE 606 $aAudio-visual archives$vCase studies 615 0$aAudio-visual archives 676 $a025.3/47 701 $aStockinger$b Peter$0521614 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910138854603321 996 $aDigital audiovisual archives$92188822 997 $aUNINA