LEADER 01067nas 2200397 c 450 001 9910137878403321 005 20211203093132.0 011 $a2254-0911 035 $a(CKB)3270000000000350 035 $a(OCoLC)796195257 035 $a(DE-101)1021429295 035 $a(DE-599)ZDB2658376-8 035 $a(EXLCZ)993270000000000350 100 $a20120405a20019999 |y | 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBioenergy international 210 31$aStockholm$cSBSAB$d2001- 215 $aOnline-Ressource 300 $aGesehen am 05.04.12 311 0 $a2254-0903 517 1 $a˜The œBioenergy international 608 $aZeitschrift$2gnd-content 676 $a620 676 $a540 712 02$aAsociación Española de Valorización Energética de la Biomasa 801 0$b0093 801 1$bDE-101 801 2$b9999 906 $aJOURNAL 912 $a9910137878403321 996 $aBioenergy international$92144235 997 $aUNINA LEADER 02459oam 2200445K 450 001 9910794124703321 005 20230822234636.0 010 $a0-367-85503-8 010 $a1-000-74013-7 035 $a(CKB)4100000011266870 035 $a(MiAaPQ)EBC6210801 035 $a(OCoLC)1156334993 035 $a(OCoLC-P)1156334993 035 $a(FlBoTFG)9780367855031 035 $a(EXLCZ)994100000011266870 100 $a20200604d2020 uy 0 101 0 $aeng 135 $aur|n||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe history of Chinese animation$hII$b[electronic resource]. /$fedited by Lijun Sun ; translated by Shi Yi and Li Junting 210 $aLondon $cRoutledge$d2020 215 $a1 online resource (247 pages) 225 1 $aChina Perspectives 311 $a0-367-42775-3 330 $aChina has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China's animation industry. The author divides the business's 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works, themes, directions, artistic styles, techniques, industrial development, government support policies, business models, the nurturing of education and talent, broadcasting systems, and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies. 410 0$aChina perspectives series. 606 $aAnimated films$zChina$xHistory and criticism 606 $aAnimation (Cinematography)$zChina$xHistory 615 0$aAnimated films$xHistory and criticism. 615 0$aAnimation (Cinematography)$xHistory. 676 $a791.43340951 702 $aSun$b Lijun$f1964- 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910794124703321 996 $aThe history of Chinese animation$93750133 997 $aUNINA LEADER 03155nam 2200757 a 450 001 9910961493903321 005 20251116150655.0 010 $a0-19-773691-2 010 $a0-19-802600-5 010 $a1-280-45161-0 010 $a0-19-535673-X 010 $a1-4237-3573-0 024 7 $a10.1093/oso/9780195099478.001.0001 035 $a(CKB)1000000000028787 035 $a(EBL)241413 035 $a(OCoLC)475956615 035 $a(SSID)ssj0000252449 035 $a(PQKBManifestationID)11219490 035 $a(PQKBTitleCode)TC0000252449 035 $a(PQKBWorkID)10180785 035 $a(PQKB)10166261 035 $a(Au-PeEL)EBL241413 035 $a(CaPaEBR)ebr10085421 035 $a(CaONFJC)MIL45161 035 $a(MiAaPQ)EBC241413 035 $a(OCoLC)1406788824 035 $a(StDuBDS)9780197736913 035 $a(OCoLC)1083060670 035 $a(FINmELB)ELB165448 035 $a(EXLCZ)991000000000028787 100 $a19941207e20231996 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStretching the imagination $erepresentation and transformation in mental imagery /$fCesare Cornoldi [and others] 205 $a1st ed. 210 1$aNew York :$cOxford University Press,$d2023. 215 $a1 online resource (206 p.) 225 1 $aCounterpoints 225 1 $aOxford scholarship online 300 $aPreviously issued in print: 1996. 311 08$a0-19-509947-8 311 08$a0-19-509948-6 320 $aIncludes bibliographical references and index. 327 $aContents; 1. Counterpoints in Perception and Mental Imagery: Introduction; 2. When Imagery Fails: Effects of Verbal Receding on Accessibility of Visual Memories; 3. The Many Faces of Mental Images; 4. The Nonambiguity of Mental Images; 5. Ducks, Rabbits, and Hedgehogs: Resolution, Impasse, or Fostered Debate?; Index; A; B; C; D; E; F; G; H; I; L; M; N; O; P; R; S; T; U; V; W 330 $aThis is the first volume in the Counterpoints Series, which explores the issues being debated in psychology, child development, linguistics, and neuroscience. Each volume consists of the presentation of three or four extensive chapters by researchers representing key points of view on the issue. This text examines one of the liveliest areas of debate in psychology today, the relationship between perception and mental imagery. A variety of recent studies have pointed to the existence of a strong relationship between memory and mental representation, while others have shown that images are open 410 0$aCounterpoints (Oxford University Press) 410 0$aOxford scholarship online. 606 $aMental representation 606 $aPerception 606 $aImagery (Psychology) 615 0$aMental representation. 615 0$aPerception. 615 0$aImagery (Psychology) 676 $a153.3/2 700 $aCornoldi$b Cesare$0437867 801 0$bDLC 801 1$bDLC 801 2$bDLC 801 2$bStDuBDSZ 906 $aBOOK 912 $a9910961493903321 996 $aStretching the imagination$94524163 997 $aUNINA