LEADER 03247nam 2200637Ia 450 001 9910451782603321 005 20200520144314.0 010 $a1-78138-625-0 010 $a1-84631-271-X 010 $a1-4175-6806-2 035 $a(CKB)1000000000448727 035 $a(EBL)380750 035 $a(OCoLC)437241543 035 $a(SSID)ssj0000116254 035 $a(PQKBManifestationID)11125111 035 $a(PQKBTitleCode)TC0000116254 035 $a(PQKBWorkID)10034438 035 $a(PQKB)11055187 035 $a(StDuBDS)EDZ0000127558 035 $a(MiAaPQ)EBC380750 035 $a(UkCbUP)CR9781781386255 035 $a(Au-PeEL)EBL380750 035 $a(CaPaEBR)ebr10369588 035 $a(EXLCZ)991000000000448727 100 $a20020527d2002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe business of music$b[electronic resource] /$fedited by Michael Talbot 210 $aLiverpool $cLiverpool University Press$d2002 215 $a1 online resource (336 p.) 225 1 $aLiverpool music symposium ;$v2 300 $aDescription based upon print version of record. 311 $a0-85323-538-4 311 $a0-85323-528-7 320 $aIncludes bibliographical references and index. 327 $aTitle Page; Contents; Notes on Contributors; Introduction; 1: A Venetian Operatic Contract of 1714; 2: What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England; 3: The Modernisation of London Concert Life around 1900; 4: Debussy, Durand et Cie: A French Composer and His Publishers (1884-1917); 5: Nadia Boulanger (1887-1979): The Teacher in the Marketplace; 6: Copyright as a Component of the Music Industry; 7: Illegality and the Music Industry; 8: The Tarnished Image? Folk 'Industry' and Media 327 $a9: Collective Responsibilities: The Arts Council, Community Arts and the Music Industry in Ireland10: Paying One's Dues: The Music Business, the City and Urban Regeneration; 11: Learning to Crawl:The Rapid Rise of Music Industry Education; Index of Personal Names 330 $aIs business, for music, a regrettable necessity or a spur to creativity? Are there limits to the influence that economic factors can or should exert on the musical imagination and its product? In the eleven essays contained in this book the authors wrestle with these questions from the perspective of their chosen area of research. The range is wide: from 1700 to the present day; from the opera house to the community centre; from composers, performers and pedagogues to managers, publishers and lawyers; from piano miniatures to folk music and pop CDs. If there is a consensus, it is that music se 410 0$aLiverpool music symposium ;$v2. 606 $aMusic trade$xHistory 606 $aMusic$xHistory and criticism 608 $aElectronic books. 615 0$aMusic trade$xHistory. 615 0$aMusic$xHistory and criticism. 676 $a338.4778 701 $aTalbot$b Mike$g(Michael)$0976131 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451782603321 996 $aThe business of music$92222935 997 $aUNINA LEADER 01514nas 2200505- 450 001 9910137498803321 005 20241204164136.0 011 $a1892-9710 035 $a(OCoLC)842289804 035 $a(CKB)3710000000575732 035 $a(CONSER)--2017268543 035 $a(DE-599)ZDB2881434-4 035 $a(EXLCZ)993710000000575732 100 $a20130209a20129999 --- a 101 0 $aeng 135 $aur|nu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aNordic journal of health economics 210 1$aOslo :$cUniversity of Oslo,$d2012- 215 $a1 online resource 300 $aRefereed/Peer-reviewed 311 08$a1892-9729 517 1 $aNJHE 606 $aMedical economics$zEurope, Northern$vPeriodicals 606 $aMedical economics$zEurope$vPeriodicals 606 $aMedical economics$2fast$3(OCoLC)fst01014004 606 $aEconomics, Medical 607 $aEurope$2fast 607 $aNorthern Europe$2fast 607 $aEurope 608 $aPeriodicals.$2fast 608 $aPeriodical. 615 0$aMedical economics 615 0$aMedical economics 615 7$aMedical economics. 615 2$aEconomics, Medical. 712 02$aForte, Forskningsrådet för hälsa, arbetsliv och välfärd (Sweden), 712 02$aNordic Council, 712 02$aNorges forskningsråd, 906 $aJOURNAL 912 $a9910137498803321 996 $aNordic Journal of Health Economics$91998087 997 $aUNINA