LEADER 03324oam 22006134 450 001 9910137232903321 005 20240424230212.0 010 $a0-8223-7495-1 035 $a(CKB)3710000000513728 035 $a(EBL)4412759 035 $a(OCoLC)933516936 035 $a(SSID)ssj0001581721 035 $a(PQKBManifestationID)16260168 035 $a(PQKBTitleCode)TC0001581721 035 $a(PQKBWorkID)14752467 035 $a(PQKB)11547222 035 $a(MiAaPQ)EBC4412759 035 $a927175210 035 $a(OCoLC)1103997115 035 $a(MdBmJHUP)muse73641 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/35277 035 $a(PPN)199441138 035 $a(EXLCZ)993710000000513728 100 $a20151030d2016 uy 0 101 0 $aeng 135 $aurmn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNegro soy yo $ehip hop and raced citizenship in neoliberal Cuba /$fMarc D. Perry 210 1$aDurham :$cDuke University Press,$d[2016] 215 $a1 online resource (297 pages) $cdigital file(s) 225 1 $aRefiguring American music 300 $aDescription based upon print version of record. 311 08$aPrint version: 9780822359852 320 $aIncludes bibliographical references and index. 327 $aRaced neoliberalism : groundings for hip hop -- Hip hop Cubano : an emergent site of Black life -- New revolutionary horizons -- Critical self-fashionings and their gendering -- Racial challenges and the state -- Whither hip hop Cubano? 330 $aIn Negro Soy Yo Marc D. Perry explores Cuba?s hip hop movement as a window into the racial complexities of the island?s ongoing transition from revolutionary socialism toward free-market capitalism. Centring on the music and lives of black-identified raperos (rappers), Perry examines the ways these young artists craft notions of black Cuban identity and racial citizenship, along with calls for racial justice, at the fraught confluence of growing Afro-Cuban marginalization and long held perceptions of Cuba as a non-racial nation. Situating hip hop within a long history of Cuban racial politics, Perry discusses the artistic and cultural exchanges between raperos and North American rappers and activists, and their relationships with older Afro-Cuban intellectuals and African American political exiles. He also examines critiques of Cuban patriarchy by female raperos, the competing rise of reggaetón, as well as state efforts to incorporate hip hop into its cultural institutions. At this pivotal moment of Cuban-U.S. relations, Perry's analysis illuminates the evolving dynamics of race, agency, and neoliberal transformation amid a Cuba in historic flux. 410 0$aRefiguring American music. 606 $aHip-hop$xPolitical aspects$zCuba 606 $aBlack people$zCuba$xSocial conditions 607 $aCuba$xRace relations 615 0$aHip-hop$xPolitical aspects 615 0$aBlack people$xSocial conditions. 676 $a782.421649089/9607291 676 $a782.4216490899607291 700 $aPerry$b Marc D.$f1967-$0965218 801 0$bNDD 801 1$bNDD 801 2$bNDD 906 $aBOOK 912 $a9910137232903321 996 $aNegro soy yo$92189842 997 $aUNINA