LEADER 01314nlm 2200313 a 450 001 996441052103316 005 20211020130148.0 010 $a0-8229-4178-3 100 $a20020610d2002---- uy 0 101 0 $aeng 102 $aUS 135 $adrcnu 200 1 $aCelebrating women$egender, festival culture, and Bolshevik ideology, 1910-1939$fChoi Chatterjee 210 1 $aPittsburgh, Pa.$cUniversity of Pittsburgh Press$d2002 215 $aTesto elettronico (PDF) (X, 223 p. : ill. ) 225 2 $aPitt series in Russian and East European studies 230 $aBase dati testuale 330 $aChoi Chatterjee analizza sia gli atteggiamenti bolscevichi nei confronti delle donne sia i rituali di stato inventati che circondano la Giornata della donna per dimostrare i modi in cui queste celebrazioni hanno contribuito a costruire le nozioni di genere in Unione Sovietica. 410 0$aPitt series in Russian and East European studies 606 0 $aDonne$xCondizioni economiche e sociali$yUnione Sovietica z 1910-1939$2BNCF 676 $a305.420947 700 1$aCHATTERJEE,$bChoi$0842995 712 02$aAmerican Council of Learned Societies. 801 0$bcba$aIT$bcba$gREICAT 912 $a996441052103316 959 $aEB 969 $aER 996 $aCelebrating women$91881150 997 $aUNISA LEADER 02930nam 2200469 450 001 9910137076103321 005 20230808194755.0 010 $a1-57131-951-4 035 $a(CKB)3710000000829049 035 $a(PQKBManifestationID)16383038 035 $a(PQKBWorkID)14940724 035 $a(PQKB)21914795 035 $a(MiAaPQ)EBC4591643 035 $a(EXLCZ)993710000000829049 100 $a20160825h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aNot on the last day, but on the very last $epoems /$fJustin Boening 205 $aFirst edition. 210 1$aMinneapolis, Minnesota :$cMilkweed Editions,$d2016. 210 4$dİ2016 215 $a1 online resource (81 pages) 225 1 $aNational Poetry Series 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-57131-487-3 330 $a"Winner of the National Poetry Series Mothers masquerading as witches and sepulchral bellhops who reveal themselves to be fathers: in Justin Boening's debut collection of poems, selected for the National Poetry Series by Wayne Miller, nothing is as it seems. Peopled by figures both uncanny and tragic-lionesses who dance and cry, surgeons who carry with them the trauma of past lives, an opera singer whose notes go awry-Not on the Last Day, but on the Very Last uses the language of dreams and of fairy tales to deliver a keenly felt exploration of family, grief, regret, and belonging. A traveler leaves home for the first time, and asks, "This town / has nothing to offer me anymore- / Why am I still so afraid / to leave it?" In a psychiatrist's office, a patient laments, "They always ask / about my mother. There should be a rule / against inheritance."Here everything stands for something else. But though the Freudian mother and father lurk behind every sequined costume, continue to strip away the masks, Boening suggests, and you'll find an even more primal absence at the center-Nobody, No One, mortality, death. Beyond that, we find, lies only the truth of our relationships with each other. After fighting off a crone-who may or may not be that ever-present mother-the speaker asks, "Why have I made it so difficult to love you?" Shot through with mournfulness, gorgeously spangled in its language-"a squall of chrysanthemums / and the weird"-Not on the Last Day, but on the Very Last is an unforgettable collection about our human failings and the grace we each seek"--$cProvided by publisher. 410 0$aNational poetry series. 606 $aAmerican poetry 615 0$aAmerican poetry. 676 $a811/.6 686 $aPOE005010$2bisacsh 700 $aBoening$b Justin$01245761 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910137076103321 996 $aNot on the last day, but on the very last$92889087 997 $aUNINA