LEADER 03433 am 22004813u 450 001 9910137030603321 005 20230621142711.0 035 $a(CKB)3710000000731184 035 $a(EXLCZ)993710000000731184 100 $a20160627h20162016 uy 0 101 0 $ager 135 $aurmn#nnn||||| 181 $csti$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aGilly - Weinbrenner - Schinkel $eBaukunst auf Papier zwischen Gotik und Klassizismus /$fMarion Hilliges und Christian Scholl (Hg.) 210 1$aGöttingen :$cUniversitätsverlag Göttingen,$d2016. 210 4$d©2016 215 $a1 online resource (194 pages) $cillustrations (some colour), plans (some colour) 225 0 $aOpen Access e-Books 225 0 $aKnowledge Unlatched 320 $aIncludes bibliographical references (pages [165]-189) and index. 330 $aFive major collections of architectural drawings and reproductions from the collections of the Go?ttingen University Art Collection and the Lower Saxony State and University Library of Go?ttingen will be shown together for the first time in the exhibition "Gilly - Weinbrenner - Schinkel." Friedrich Gilly's designs for a theater in Szczecin are a special discovery. These are the earliest known and, at the same time, brilliantly illustrated drawings by the early deceased teacher of Karl Friedrich Schinkel. For further insights into the architects' practices around 1800, a portfolio with drawings for a theater in Ko?nigsberg, probably designed by Carl Ferdinand Langhans according to designs by Gilly, is provided. Friedrich Fricks also testifies to the medieval fascination of this period, according to Gilly's illustrated Aquatint series "Schloss Marienburg in Preussen." Friedrich Weinbrenner's designs for the conversion of the Pauline Church to the university library are of a pragmatic, but no less remarkable, handling of medieval buildings. And finally, Karl Friedrich Schinkel's prints, reproduced for a royal palace on the Acropolis in Athens, illustrate the extent to which a creative renewal of Greek antiquity was used in the nineteenth century. The drawings and prints recorded in the catalog invite you to understand the upheavals and leitmotifs in the architectural representation around and after 1800. Five introductory papers open up additional research perspectives. This gives the opportunity to follow motifs, functions and effects of architecture on paper between classicism and gothic reception by means of particularly attractive works. 606 $aArchitectural drawing$zGermany$xHistory$y18th century$vExhibitions 606 $aArchitectural drawing$zGermany$xHistory$y19th century$vExhibitions 606 $aNeoclassicism (Architecture)$zGermany$vExhibitions 606 $aArchitecture$zGermany$xHistory$y18th century$vExhibitions 606 $aArchitecture$zGermany$xHistory$y19th century$vExhibitions 615 0$aArchitectural drawing$xHistory 615 0$aArchitectural drawing$xHistory 615 0$aNeoclassicism (Architecture) 615 0$aArchitecture$xHistory 615 0$aArchitecture$xHistory 676 $a720.943 702 $aHilliges$b Marion 702 $aScholl$b Christian$f1971-, 801 0$bAuAdUSA 801 1$bAuAdUSA 801 2$bUkMaJRU 906 $aBOOK 912 $a9910137030603321 996 $aGilly - Weinbrenner - Schinkel$91969166 997 $aUNINA