LEADER 01956oam 2200505 450 001 9910131251903321 005 20180510174959.0 010 $a2-84788-710-5 024 7 $a10.4000/books.enseditions.3726 035 $a(CKB)3710000000422597 035 $a(FrMaCLE)OB-enseditions-3726 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/41155 035 $a(PPN)198369093 035 $a(EXLCZ)993710000000422597 100 $a20180319c2015uuuu uy- 0 101 0 $afre 135 $aurm|#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aLes arabisants et la France coloniale. Annexes$b[electronic resource] /$fAlain Messaoudi 210 $cENS Éditions$d2015 210 1$aLyon, France :$cENS Éditions,$d2015 215 $a1 online resource $cillustrations (tables); digital file(s) 327 $aAvertissement --Abréviations utilisées pour les références bibliographiques des notices biographiques --Table thématique des notices biographiques --1. Notices biographiques --2. Fauteuils et chaires des établissements française --3. Textes et tableaux 330 $aThis volume is a collection of appendices in support of the work of Alain Messaoudi: Les arabisants et la France coloniale. Savants, conseillers, médiateurs (1780-1930). 606 $aCitation indexes 606 $aIndexes 608 $aBibliographies. 610 $ahistoire coloniale (Algérie) 610 $alangue arabe 610 $acoproduction culturelle 610 $aorientalisme 610 $aétude et enseignement 610 $acivilisation arabe 610 $aXIXe siècle 615 0$aCitation indexes. 615 0$aIndexes. 676 $a325.344 700 $aMessaoudi$b Alain$0856192 801 2$bUkMaJRU 906 $aBOOK 912 $a9910131251903321 996 $aLes arabisants et la France coloniale. Annexes$91911608 997 $aUNINA LEADER 03477nam 2200565 450 001 9910136999903321 005 20220927132810.0 010 $a2-8218-8164-9 035 $a(CKB)3710000000748024 035 $a(NjHacI)993710000000748024 035 $a(FrMaCLE)OB-obp-3104 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/37300 035 $a(PPN)202672786 035 $a(EXLCZ)993710000000748024 100 $a20220927d2016 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVerdi in Victorian London /$fby Massimo Zicari 205 $aFirst edition. 210 $cOpen Book Publishers$d2016 210 1$aCambridge, England :$cOpen Book Publishers,$d2016. 215 $a1 online resource (iv, 351 pages). $cillustrations 311 $a1-78374-213-5 320 $aIncludes bibliography and index. 330 $aNow a byword for beauty, Verdi?s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they, and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi?s works? Massimo Zicari?s Verdi in Victorian London reconstructs the reception of Verdi?s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi?s death received extensive tribute in The Musical Times. In the 1840s, certain journalists were positively hostile. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi?s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Over the final three decades of the nineteenth century, however, London?s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualised and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of ?the Land of Song,? referring to the now departed ?palmy days of Italian opera.? Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. 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