LEADER 02834nam 22006973u 450 001 9910453546203321 005 20210113170134.0 010 $a1-78138-060-0 010 $a1-84631-340-6 035 $a(CKB)1000000000541179 035 $a(EBL)380742 035 $a(OCoLC)476209966 035 $a(SSID)ssj0000081598 035 $a(PQKBManifestationID)11110972 035 $a(PQKBTitleCode)TC0000081598 035 $a(PQKBWorkID)10113345 035 $a(PQKB)10246679 035 $a(StDuBDS)EDZ0000237362 035 $a(MiAaPQ)EBC380742 035 $a(EXLCZ)991000000000541179 100 $a20130418d2000|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJules Verne$b[electronic resource] $eNarratives of Modernity 210 $aLiverpool $cLiverpool University Press$d2000 215 $a1 online resource (168 p.) 225 1 $aLiverpool Science Fiction Texts and Studies, 20 ;$vv.v. 20 300 $aDescription based upon print version of record. 311 $a0-85323-694-1 320 $aIncludes bibliographical references and index. 327 $aTitle Page; Contents; Contributors; 1: Verne, SF, and Modernity: an Introduction; 2: Jules Verne and the French Literary Canon; 3: Jules Verne and the Limitations of Literature; 4: The Fiction of Science, or the Science of Fiction; 5: 'L'Ici-bas' and 'l'Au-dela?' ... but Not as they Knew it. Realism, Utopianism and Science Fiction in the Novels of Jules Verne; 6: A Hitchhiker's Guide to Paris: Paris au XXe sie?cle; 7: Future Past: Myth, Inversion and Regression in Verne's Underground Utopia; 8: Measurement and Mystery in Verne 327 $a9: The Science is Fiction: Jules Verne, Raymond Roussel, and Surrealism10: Mysterious Masterpiece; Index 330 $aThis collection of essays reflect the diversity of approaches currently being brought to bear on the writings of Jules Verne. 410 0$aLiverpool Science Fiction Texts and Studies, 20 606 $aScience fiction, French 606 $aVerne, Jules 606 $aScience fiction, French$xHistory and criticism 606 $aRomance fiction 606 $aLanguages & Literatures$2HILCC 606 $aFrench Literature$2HILCC 608 $aElectronic books. 615 4$aScience fiction, French. 615 4$aVerne, Jules. 615 0$aScience fiction, French$xHistory and criticism 615 7$aRomance fiction 615 7$aLanguages & Literatures 615 7$aFrench Literature 676 $a843.8 676 $a843/.8 700 $aSmyth$b Edmund J$01038077 702 $aSmyth$b Edmund J 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910453546203321 996 $aJules Verne$92459432 997 $aUNINA LEADER 03128 am 22005293u 450 001 9910136987303321 005 20191002190852.0 010 $a1-78499-402-2 010 $a1-78499-779-X 035 $a(CKB)3710000000741670 035 $a(EXLCZ)993710000000741670 100 $a20170206h20162016 uy 0 101 0 $aeng 135 $aurcn#nnn||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCinema, democracy and perfectionism $eJoshua Foa Dienstag in dialogue /$fedited by Joshua Foa Dienstag 210 1$aManchester, England :$cManchester University Press,$d2016 210 4$dİ2016 215 $a1 online resource $cdigital file(s) 225 0 $aOpen Access e-Books 225 0 $aKnowledge Unlatched 225 1 $aCritical powers 311 $a1-78499-401-4 311 $a1-78499-735-8 320 $aIncludes bibliographical references and index. 327 $aI. Lead essay -- 1. The tragedy of remarriage: letter to M. Cavell about cinema (a remake) / Joshua Foa Dienstag -- II. Responses -- 2. Emancipated perfectionism or, In praise of dreaming / Clare Woodford -- 3. The phenomenology of the political: a reply from Saturday Night to Mr. Dienstag / Tracy B. Strong -- 4. The tragedy of remarriage in the Golden Age of television / Margaret Kohn -- 5. "That dangerous contention?: a cinematic response to pessimism / Davide Panagia -- 6. Letter to Mr. Dienstag / Thomas Dumm -- III. Reply -- 7. A letter to my critics / Joshua Foa Dienstag. 330 3 $aIn the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing sceptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrated dialogue between Rousseau and Jean D'Alembert on theatre, casting Cavell as D'Alembert in his view that we can learn to become better citizens and better people by observing a staged representation of human life, with Dienstag arguing, after Rousseau, that this misunderstands the relationship between original and copy, even more so in the medium of film than in the medium of theatre. The argument is developed further by essays from Clare Woodford, Tracy B. Strong, Margaret Kohn, Davide Panagia and Thomas Dunn, to which Dienstag responds in the concluding chapter, 'A reply to my critics'. 410 0$aCritical powers. 606 $aMotion pictures$xPolitical aspects 606 $aMotion pictures$xPhilosophy 606 $aMotion pictures$xPlots, themes, etc 608 $bElectronic books. 615 0$aMotion pictures$xPolitical aspects. 615 0$aMotion pictures$xPhilosophy. 615 0$aMotion pictures$xPlots, themes, etc. 676 $a791.436581 700 $aDienstag$b Joshua Foa$f1965-$0900486 712 02$aManchester University Press, 801 2$bUkMaJRU 801 2$bAuAdUSA 801 2$bUkMaJRU 906 $aBOOK 912 $a9910136987303321 996 $aCinema, democracy and perfectionism$92011861 997 $aUNINA