LEADER 03788nam 22005892 450 001 9910136925803321 005 20230621140431.0 010 $a1-316-59006-2 010 $a1-316-58873-4 010 $a1-316-42320-4 035 $a(CKB)3710000000718681 035 $a(UkCbUP)CR9781316423202 035 $a(OCoLC)945374808 035 $a(MiAaPQ)EBC4592046 035 $a(OCoLC)972611409 035 $a(ScCtBLL)e9cb1b7c-cd95-4043-9f6f-496d32bc0288 035 $a(EXLCZ)993710000000718681 100 $a20150401d2016|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aLiterary coteries and the making of modern print culture, 1740-1790 /$fBetty A. Schellenberg$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2016. 215 $a1 online resource (xii, 308 pages) $cdigital, PDF file(s) 225 0 $aOpen Access e-Books 225 0 $aKnowledge Unlatched 300 $aTitle from publisher's bibliographic system (viewed on 20 Jul 2016). 300 $aOpen Access title. 311 08$aPrint version (hardback): 9781107128163 320 $aIncludes bibliographical references and index. 327 $aIntroduction: the literary coteries in the eighteenth-century media landscapes -- 1. Wrest Park and North End: two mid-century coteries -- 2. Formation, fame, and patronage: the Montagu-Lyttelton coterie -- 3. Identity and influence from coterie to print: Carter, Chapone, and the Shenstone-Dodsley collaboration -- 4. Memorializing a coterie life in print: the case of William Shenstone -- 5. "This new species of mischief": Montagu, Johnson, and the quarrel over character -- 6. Transmediations: marketing the coterie traveler -- 7. Literary sociability in the eighteenth-century personal miscellany. 330 $aLiterary Coteries and the Making of Modern Print Culture offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain's literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group's deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. The book also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production. This title is also available as Open Access. 517 3 $aLiterary Coteries & the Making of Modern Print Culture 606 $aEnglish literature$xHistory and criticism$y18th century 606 $aTransmission of texts$zGreat Britain$xHistory$y18th century 606 $aPublishers and publishing$zGreat Britain$xHistory$y18th century 607 $aGreat Britain$2fast 608 $aCriticism, interpretation, etc.$2fast 608 $aHistory.$2fast 615 0$aEnglish literature$xHistory and criticism 615 0$aTransmission of texts$xHistory 615 0$aPublishers and publishing$xHistory 676 $a820.9/006 700 $aSchellenberg$b Betty A.$0999437 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910136925803321 996 $aLiterary coteries and the making of modern print culture, 1740-1790$92293484 997 $aUNINA