LEADER 03614nam 2200589 450 001 9910136791203321 005 20230621140033.0 010 $a9788867053834$b(ebook) 010 $z9788867053827$b(hardback) 024 7 $a10.4000/books.ledizioni.4296 035 $a(CKB)3710000000647494 035 $a(SSID)ssj0001655949 035 $a(PQKBManifestationID)16436054 035 $a(PQKBTitleCode)TC0001655949 035 $a(PQKBWorkID)14978237 035 $a(PQKB)11482864 035 $a(FrMaCLE)OB-ledizioni-4296 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/40614 035 $a(EXLCZ)993710000000647494 100 $a20160829d2015 uy | 101 0 $aita 135 $auzbu#---uuuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAlessandro Baudi di Vesme e la scoperta dell'arte in Piemonte $eerudizione, musei e tutela in Italia tra Otto e Novecento /$fAlessandra Giovannini Luca 210 $cLedizioni$d2015 210 31$aItaly :$cLedizioni,$d2015 215 $a1 online resource (321 pages) $cdigital, PDF file(s) 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$aPrint version: 9788867053827 330 $aLike Adolfo Venturi and Corrado Ricci, Alessandro Baudi of Vesme (1854-1923) belonged to the last generation of scholars and self-taught officials who worked, between the nineteenth and twentieth centuries, to the delicate process of affirmation of the historical-artistic discipline in Italy. Historical director of the Royal Pinacoteca of Turin and first superintendent of galleries and art classes in Piedmont and Liguria, Vesme added to his institutional commitments an intense activity of study of the local figurative culture with a privileged look on the events of the painting of the Four and the sixteenth century, in full alignment with the guidelines of the European historiographic debate of those years. Underlined by a perspective of cultural rehabilitation aimed at redeeming the subalpine region from the ranks of the suburbs of art, those investigations gave rise to a project of philological edition of the sources that still today is considered the documentary reference par excellence in the history of the arts in Piedmont: Schme Vesme, published posthumously between 1963 and 1982. The volume traces the critical and professional profile of their author through the thread of mutual interaction between the research plans and the protection initiatives promoted by him, relating and legitimizing his individual experiences in the light of the comparison with the Italian and foreign interlocutors and the requests, methods and peculiarities of the Piedmontese context. 606 $aArt$xHistory$xConservation and restoration$y20th century$zPiedmont$zItaly 606 $aArt$xCollectors and collecting$y20th century$zPiedmont$zItaly 606 $aArt, Italian$zItaly$zPiedmont 606 $aVisual Arts - General$2HILCC 606 $aVisual Arts$2HILCC 606 $aArt, Architecture & Applied Arts$2HILCC 610 $apiemonte 610 $aarte 615 0$aArt$xHistory$xConservation and restoration 615 0$aArt$xCollectors and collecting 615 0$aArt, Italian 615 7$aVisual Arts - General 615 7$aVisual Arts 615 7$aArt, Architecture & Applied Arts 700 $aGiovannini Luca$b Alessandra$0951311 801 0$bPQKB 801 2$bUkMaJRU 912 $a9910136791203321 996 $aAlessandro Baudi di Vesme e la scoperta dell'arte in Piemonte$92150507 997 $aUNINA