LEADER 03147oam 22005054 450 001 9910136667703321 005 20160914110229.0 010 $a0-8223-7354-8 024 7 $a10.1515/9780822373544 035 $a(CKB)3710000000907463 035 $a(MiAaPQ)EBC4717127 035 $a958395756 035 $a(OCoLC)1148127051 035 $a(MdBmJHUP)muse80528 035 $a(DE-B1597)552483 035 $a(DE-B1597)9780822373544 035 $a(OCoLC)971086250 035 $a(EXLCZ)993710000000907463 100 $a20160914d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPunk and revolution $eseven more interpretations of Peruvian reality /$fShane Greene 210 1$aDurham :$cDuke University Press,$d2016. 215 $a1 online resource (256 pages) $cillustrations 311 $a0-8223-6274-0 311 $a0-8223-6259-7 320 $aIncludes bibliographical references and index. 327 $aInterpretation #1. On the risks of underground rock production -- Interpretation #2. El problema de la sub-tierra -- Interpretation #3. El problema del Pituco -- Re: Interpretation #4. The tongue is a fire, an agent, a traitor -- Interpretation #5. The worth of art in three stages of underproduction -- Interpretation #6. A series of situations resulting in X -- Interpretation #7. Hot revolution with punk pancakes (a drunken dialogue). 330 $aIn Punk and Revolution Shane Greene radically uproots punk from its iconic place in First World urban culture, Anglo popular music, and the Euro-American avant-garde, situating it instead as a crucial element in Peru's culture of subversive militancy and political violence. Inspired by José Carlos Mariátegui's Seven Interpretive Essays on Peruvian Reality, Greene explores punk's political aspirations and subcultural possibilities while complicating the dominant narratives of the war between the Shining Path and the Peruvian state. In these seven essays, Greene experiments with style and content, bends the ethnographic genre, and juxtaposes the textual and visual. He theorizes punk in Lima as a mode of aesthetic and material underproduction, rants at canonical cultural studies for its failure to acknowledge punk's potential for generating revolutionary politics, and uncovers the intersections of gender, ethnicity, class, and authenticity in the Lima punk scene. Following the theoretical interventions of Debord, Benjamin, and Bakhtin, Greene fundamentally redefines how we might think about the creative contours of punk subculture and the politics of anarchist praxis. 606 $aPunk culture$xPolitical aspects$zPeru 606 $aPolitical violence$zPeru$xHistory$y20th century 607 $aPeru$xPolitics and government$y1980- 615 0$aPunk culture$xPolitical aspects 615 0$aPolitical violence$xHistory 676 $a985.06/4 700 $aGreene$b Shane$f1971-$01246643 801 0$bNDD 801 1$bNDD 906 $aBOOK 912 $a9910136667703321 996 $aPunk and revolution$92890392 997 $aUNINA