LEADER 03390 am 22006373u 450 001 9910136433103321 005 20230621135836.0 010 $a94-6166-188-6 024 7 $a10.26530/OAPEN_587990 035 $a(CKB)3710000000587197 035 $a(OAPEN)587990 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/26124 035 $a(EXLCZ)993710000000587197 100 $a20190513h20152015 fy 0 101 0 $aeng 135 $aurmu#---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aExperimental affinities in music /$fedited by Paulo de Assis 210 $aBelgium, Leuven$cLeuven University Press$d2015 210 1$aLeuven, Belgium :$cLeuven University Press,$d[2015]. 210 4$dİ2015 215 $a1 online resource (252 pages) $cPDF, digital file(s) 225 1 $aOrpheus Institute series 311 08$aPrint version: 9789462700611 9462700613 320 $aIncludes bibliographical references and index. 330 $aExperimental Affinities in Music brings together diverse artistic, musicological, historical, and philosophical essays, enhancing a broad discourse on artistic experimentation, and exploring various experimental attitudes in music composed between the thirteenth and twentieth centuries. The golden thread running through the different chapters is the quest for inherently experimental musical practices, a quest pursued from interrogating, descriptive, or challenging perspectives, and always in relation to concrete music examples. Eperimental is taken as an adventurous compositional, interpretive, or performative attitude that can cut across different ages and styles. Affinities suggest connectors and connections, convergences, contiguities, and adjacencies that are found in and through a diversity of approaches and topics. The texts share a common genesis: the lectures of the International Orpheus Academies for Music and Theory convened by Luk Vaes (2011) and Paulo de Assis (2012, 2013). The affinities found in this volume include essays by Lydia Goehr, Felix Diergarten, Mark Lindley, Martin Kirnbauer, Edward Wickham, Lawrence Kramer, Hermann Danuser, and Thomas Christensen, as well as interviews with pianist Leon Fleisher, with pianist-composer Frederic Rzewski, and with composer Helmut Lachenmann.(publishing partner ?Orpheus Institute?). 410 0$aOrpheus Institute series. 606 $aMusic$xHistory and criticism 606 $aMusic$xExperimental methods 606 $aArts$xExperimental methods 606 $aTheory of music & musicology$2bicssc 610 $arecitation 610 $aartistic experimentation 610 $aexpression 610 $amusic theory 610 $aexperimentation 610 $amusical meaning 610 $aorpheus institute series 610 $ainterpretation 610 $aexperiments 610 $aperformance 610 $aMusic theory 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xExperimental methods. 615 0$aArts$xExperimental methods. 615 7$aTheory of music & musicology 676 $a781.43 700 $ade Assis$b Paulo$4auth$0953419 702 $ade Assis$b Paulo 801 2$bUkMaJRU 906 $aBOOK 912 $a9910136433103321 996 $aExperimental affinities in music$93041773 997 $aUNINA