LEADER 04374nam 2200721 450 001 9910136421803321 005 20200520144314.0 010 $a1-4443-3665-7 010 $a1-119-21267-7 010 $a1-119-21266-9 035 $a(CKB)3710000000610610 035 $a(EBL)4451515 035 $a(SSID)ssj0001628274 035 $a(PQKBManifestationID)16197940 035 $a(PQKBTitleCode)TC0001628274 035 $a(PQKBWorkID)14820573 035 $a(PQKB)11240532 035 $a(PQKBManifestationID)16370616 035 $a(PQKB)23144117 035 $a(DLC) 2015042365 035 $a(Au-PeEL)EBL4451515 035 $a(CaPaEBR)ebr11174075 035 $a(CaONFJC)MIL902583 035 $a(CaSebORM)9781444336641 035 $a(MiAaPQ)EBC4451515 035 $a(OCoLC)928136919 035 $a(EXLCZ)993710000000610610 100 $a20151014d2016 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBiennials, triennials, and documenta $ethe exhibitions that created contemporary art /$fCharles Green and Anthony Gardner 205 $a1 210 1$aChichester, West Sussex, United Kingdom :$cJohn Blackwell,$d2016. 215 $a1 online resource (280 p.) 300 $aDescription based upon print version of record. 311 $a1-119-21263-4 311 $a1-4443-3664-9 320 $aIncludes bibliographical references and index. 327 $aFrontispiece; Title Page; Copyright; Preface; Introduction; Why Biennials?; Part 1. The Second Wave; Part 2. The Politics of Legitimacy; Part 3. Hegemony or a New Canon; The Cultural Geography of Biennials; Notes; Part 1: The Second Wave; 1: 1972: The Rise of the Star-Curator; Introduction; Preparation for a Walk-Through Event Structure; "Therapy Has Changed and No Longer Encourages Copious Art Production"; "The Most Important Exhibition of Recent Years"; Conclusion; Notes; 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave 327 $aIntroduction: Biennials as Models for Cultural EncountersFounding the Sydney Biennale; White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney; Import/Export: Sydney and Sa?o Paulo; Conclusion; Notes; 3: 1986: The South and the Edges of the Global; Introduction: Origin Stories; A Brief History of Southern Biennials; The Second Bienal de La Habana; Conclusion: The Stakes of Southern Histories; Notes; Part 2: The Politics of Legitimacy; 4: 1989: Asian Biennialization; Introduction; Experimental Versus Traditional Art: "Traditions/Tensions"; Conclusion; Notes 327 $a5: 1997: Biennials, Migration, and ItinerancyIntroduction; Manifesta and Critical Regionalism; Locality Fails: The 2nd Johannesburg Biennale; By Way of Conclusion: The Emergency Biennale in Chechnya; Notes; Part 3: Hegemony or a New Canon; 6: 2002: Cosmopolitanism; Introduction; The Five-Year Subaltern Plan; Black Box, White Cube; Conclusion; Notes; 7: 2003: Delegating Authority; Introduction; Tirana: "Opening Up the Conversation"; Escape; Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer; "Counterbalance the Decadence of the Ancient City" 327 $a"Outmoded Structure of National Pavilions and Theme Exhibitions"Conclusion; Notes; 8: 2014: Global Art Circuits; Introduction; The Game of Comparison and Competition; Negotiated Inequality; Contemporary Play Time; Coda: 2014; Notes; 9: Conclusion; Notes; Index; EULA 330 $a"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--$cProvided by publisher. 606 $aArt and globalization$xHistory$y20th century 606 $aArt and globalization$xHistory$y21st century 606 $aBiennials$xHistory 615 0$aArt and globalization$xHistory 615 0$aArt and globalization$xHistory 615 0$aBiennials$xHistory. 676 $a701/.0309048 686 $aBUS100000$2bisacsh 700 $aGreen$b Charles$f1953-$0911426 702 $aGardner$b Anthony$f1976- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910136421803321 996 $aBiennials, triennials, and documenta$92041127 997 $aUNINA