LEADER 04425nam 22006735 450 001 9910136122503321 005 20210609154735.0 010 $a0-226-25142-X 024 7 $a10.7208/9780226251424 035 $a(CKB)3710000000914970 035 $a(MiAaPQ)EBC4520154 035 $a(StDuBDS)EDZ0001578711 035 $a(DE-B1597)524063 035 $a(OCoLC)961271852 035 $a(DE-B1597)9780226251424 035 $a(EXLCZ)993710000000914970 100 $a20200424h20162016 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe Political Orchestra $eThe Vienna and Berlin Philharmonics during the Third Reich /$fFritz Trümpi 210 1$aChicago :$cUniversity of Chicago Press,$d[2016] 210 4$dİ2016 215 $a1 online resource (334 pages) 300 $aTranslated from the German. 300 $aPreviously issued in print: 2016. 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tTwo Cities, Two Orchestras: An Introduction --$t1. "Innovation" versus "Tradition": The Berlin and Vienna Philharmonics at the End of the Long Nineteenth Century --$t2. Differing Responses to Increased State Influence: The Orchestras during the Republics (1918-1933) --$t3. Continuous Radicalization under Austrofascism and National Socialism --$t4. Dependence and Protection under National Socialism --$t5. The Orchestras' Multifaceted Media Presence --$t6. Repertoire and Politicization: National Socialism and the Politics of Programming --$tSummary and Conclusion: "A Rivalry Like T hat between the Berliners and the Viennese Will Always Exist" --$tAcknowledgments --$tAppendix: Repertoire-Graphs and Commentary --$tNotes --$tBibliography --$tIndex 330 $aThis is a groundbreaking study of the prestigious Berlin and Vienna Philharmonics during the Third Reich. Making extensive use of archival material, including some discussed here for the first time, Fritz Trümpi offers new insight into the orchestras' place in the larger political constellation. Trümpi looks first at the decades preceding National Socialist rule, when the competing orchestras, whose rivalry mirrored a larger rivalry between Berlin and Vienna, were called on to represent "superior" Austro-German music and were integrated into the administrative and social structures of their respective cities-becoming vulnerable to political manipulation in the process. He then turns to the Nazi period, when the orchestras came to play a major role in cultural policies. As he shows, the philharmonics, in their own unique ways, strengthened National Socialist dominance through their showcasing of Germanic culture in the mass media, performances for troops and the general public, and fictional representations in literature and film. Accompanying these propaganda efforts was an increasing politicization of the orchestras, which ranged from the dismissal of Jewish members to the programming of ideologically appropriate repertory-all in the name of racial and cultural purity. Richly documented and refreshingly nuanced, The Political Orchestra is a bold exploration of the ties between music and politics under fascism. 606 $aNational socialism and music$zAustria 606 $aNational socialism and music 606 $aOrchestra$xPolitical activity$xHistory$y20th century 606 $aMusic$xPolitical aspects$zAustria$xHistory$y20th century 606 $aMusic$xPolitical aspects$zGermany$xHistory$y20th century 610 $aAustria. 610 $aAustrofascism. 610 $aBerlin Philharmonic. 610 $aGermany. 610 $aNational Socialism. 610 $aVienna Philharmonic. 610 $amusic. 610 $amusical politics. 610 $aorchestra. 615 0$aNational socialism and music 615 0$aNational socialism and music. 615 0$aOrchestra$xPolitical activity$xHistory 615 0$aMusic$xPolitical aspects$xHistory 615 0$aMusic$xPolitical aspects$xHistory 676 $a784.206043155 700 $aTrümpi$b Fritz$4aut$4http://id.loc.gov/vocabulary/relators/aut$0864169 701 $aKronenberg$b Kenneth$0864170 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910136122503321 996 $aThe Political Orchestra$91928838 997 $aUNINA