LEADER 02920nam 2200553 450 001 9910136108003321 005 20230617020859.0 010 $a1-5036-0271-0 024 7 $a10.1515/9781503602717 035 $a(CKB)3710000000915112 035 $a(MiAaPQ)EBC4721524 035 $a(DE-B1597)563678 035 $a(DE-B1597)9781503602717 035 $a(OCoLC)1198930482 035 $a(EXLCZ)993710000000915112 100 $a20030926d2004 uy| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe crossing of the visible /$fJean-Luc Marion ; translated by James K. A. Smith 210 1$aStanford, California :$cStanford University Press,$d2004. 215 $a1 online resource (116 pages) 225 1 $aCultural memory in the present 311 $a0-8047-3392-9 311 $a0-8047-3391-0 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tContents -- $tPreface -- $t1. The crossing of the visible and the invisible -- $t2. What gives -- $t3. The blind at Shiloh -- $t4. The prototype and the image -- $tBibliographical note -- $tTranslator?s note -- $tNotes 330 $aPainting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility?of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance?or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting?from classical to contemporary?as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible. 410 0$aCultural memory in the present. 606 $aVisual perception 606 $aPerspective 606 $aPainting$xPhilosophy 606 $aPhenomenology 615 0$aVisual perception. 615 0$aPerspective. 615 0$aPainting$xPhilosophy. 615 0$aPhenomenology. 676 $a750/.1/8 700 $aMarion$b Jean-Luc$f1946-$0142253 702 $aSmith$b James K. A.$f1970- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910136108003321 996 $aThe crossing of the visible$92788686 997 $aUNINA