LEADER 01713nam 2200433Ia 450 001 996394584803316 005 20210104172024.0 035 $a(CKB)4940000000119977 035 $a(EEBO)2240928298 035 $a(OCoLC)ocn879380414e 035 $a(OCoLC)879380414 035 $a(EXLCZ)994940000000119977 100 $a20140508d1573 uy 0 101 0 $aeng 135 $aurbn||||a|bb| 200 12$aA brief and pleasant discourse of duties in mariage, called the Flower of friendshippe$b[electronic resource] 210 $aImprinted at London $cBy Henrie Denham, dwelling in Paster Noster Rowe, at the signe of the Starre.$danno 1573 215 $a[80] p 300 $aDedication signed: Your Maiesties most humble subiect Edmonde Tilnay. 300 $aAt foot of t.p.: "Cum priuilegio." 300 $aPrinted chiefly in black letter. 300 $aTitle within ornamental border, amorial bookplate on t.p. verso, initials, printed marginalia. 300 $aSignatures: A-E?. 300 $aReproduction of original in: St. John's College (University of Cambridge). Library. 330 $aeebo-0203 606 $aMarriage$vEarly works to 1800 606 $aWomen$vEarly works to 1800 608 $aPrinting privileges (Printing)$zEngland$y16th century.$2rbpri 608 $aAmorial bookplates (Provenance)$zEngland$y16th century.$2rbprov 615 0$aMarriage 615 0$aWomen 700 $aTilney$b Edmund$f-1610.$01006057 702 $aDenham$b Henry$f-1589?, 801 0$bUMI 801 1$bUMI 906 $aBOOK 912 $a996394584803316 996 $aA brief and pleasant discourse of duties in mariage, called the Flower of friendshippe$92322923 997 $aUNISA LEADER 04256oam 22006254a 450 001 9910136080303321 005 20230126214800.0 010 $a9781609384487 010 $a1609384482 035 $a(CKB)3710000000915283 035 $a(MiAaPQ)EBC4722540 035 $a(OCoLC)961117357 035 $a(MdBmJHUP)muse54160 035 $a(Perlego)2857573 035 $a(EXLCZ)993710000000915283 100 $a20160321d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPerforming Whitely in the Postcolony $eAfrikaners in South African Theatrical and Public Life /$fMegan Lewis 210 1$aIowa City :$cUniversity of Iowa Press,$d[2016] 210 4$dİ2016 215 $a1 online resource (267 pages) $cillustrations 225 0 $aStudies in theatre history and culture 311 08$a9781609384470 311 08$a1609384474 320 $aIncludes bibliographical references and index. 327 $aPreface: stakes of performance and race, north and south -- Introduction: whiteness in the global imaginary -- Laagers of whiteness: Afrikaner ascendency and the staging of a nation -- Rehearsing a white nation: Afrikaner performances of volk identity (1904-2009) -- Hyphens of humanity: whiteness and nostalgia in the work of Deon Opperman -- Queering Afrikanerdom: the performative maneuvers of Pieter-Dirk Uys -- Abject Afrikaner, iconoclast trekker: Peter van Heerden's performance interventions within the laagers of white masculinity -- Vuilgeboosted gangstas and romanties Afrikaner rappers: the zef whiteness of Die Antwoord and Jack Parow -- conclusion. 330 8 $aWhat does it mean to perform whiteness in the postcolonial era? To answer this question-crucial for understanding the changing meanings of race in the twenty-first century-Megan Lewis examines the ways that members of South Africa's Afrikaner minority have performed themselves into, around, and out of power from the colonial period to the postcolony. The nation's first European settlers and in the twentieth century the architects of apartheid, since 1994 Afrikaners have been citizens of a multicultural, multilingual democracy. How have they enacted their whiteness in the past, and how do they do so now when their privilege has been deflated? ? Performing Whitely examines the multiple speech acts, political acts, and theatrical acts of the Afrikaner volk or nation in theatrical and public life, including pageants, museum sites, film, and popular music as well as theatrical productions. Lewis explores the diverse ways in which Afrikaners perform whitely, and the tactics they use, including nostalgia, melodrama, queering, abjection, and kitsch. She first investigates the way that apartheid's architects leveraged whiteness in support of their nation-building efforts in the early twentieth century. In addition to re-enacting national pilgrimages of colonial-era migrations and building massive monuments at home, Afrikaner nationalists took their show to the United States, staging critical events of the Boer War at the 1904 St. Louis Exposition. A case study of the South African experience, Performing Whitely also offers parables for global whitenesses in the postcolonial era. 410 0$aStudies in theatre history and culture. 606 $aWhite people$xRace identity$zSouth Africa 606 $aAfrikaners$xRace identity$zSouth Africa 606 $aRace relations in literature 606 $aWhite people in literature 606 $aAfrikaners in literature 606 $aPerforming arts$zSouth Africa 606 $aTheater$zSouth Africa 607 $aSouth Africa$xSocial conditions$y21st century 615 0$aWhite people$xRace identity 615 0$aAfrikaners$xRace identity 615 0$aRace relations in literature. 615 0$aWhite people in literature. 615 0$aAfrikaners in literature. 615 0$aPerforming arts 615 0$aTheater 676 $a792.0968 700 $aLewis$b Megan$f1968-$01220755 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910136080303321 996 $aPerforming Whitely in the Postcolony$92827589 997 $aUNINA