LEADER 01787aam 2200445I 450 001 9910711258203321 005 20130219020908.0 024 8 $aGOVPUB-C13-dbaa0a25dc341be9c951c7852af1f2b0 035 $a(CKB)5470000002481438 035 $a(OCoLC)828028118 035 $a(EXLCZ)995470000002481438 100 $a20130219d2013 ua 0 101 0 $aeng 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRepeatability and reproducibility of compression strength measurements conducted according to ASTM E9 /$fWilliam E. Luecke ... [and others] 210 1$aGaithersburg, MD :$cU.S. Dept. of Commerce, National Institute of Standards and Technology,$d2013. 215 $a1 online resource (40 pages) $cillustrations (color) 225 1 $aNIST technical note ;$v1679 300 $a"September 2009." 300 $aContributed record: Metadata reviewed, not verified. Some fields updated by batch processes. 300 $aTitle from PDF title page (viewed February 14, 2013). 320 $aIncludes bibliographical references. 606 $aFriction$xMeasurement 606 $aMaterials$xCompression testing 615 0$aFriction$xMeasurement. 615 0$aMaterials$xCompression testing. 701 $aAdler$b Matthew A$01407825 701 $aGraham$b Stephen M$01407826 701 $aLuecke$b William E$01405545 701 $aMa$b Li$01229060 712 02$aNational Institute of Standards and Technology (U.S.).$bMaterials Science and Engineering Laboratory. 801 0$bNBS 801 1$bNBS 801 2$bGPO 906 $aBOOK 912 $a9910711258203321 996 $aRepeatability and reproducibility of compression strength measurements conducted according to ASTM E9$93490209 997 $aUNINA LEADER 02450oam 2200517I 450 001 9910135959203321 005 20240501142909.0 010 $a1-315-75123-2 010 $a1-317-61453-4 010 $a1-317-61454-2 024 7 $a10.4324/9781315751238 035 $a(CKB)3710000000912483 035 $a(MiAaPQ)EBC4717834 035 $a(OCoLC)960895239 035 $a(EXLCZ)993710000000912483 100 $a20180706d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aCreativity in the British television comedy industry /$fBrett Mills with Erica Horton 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2017. 215 $a1 online resource (203 pages) 311 08$a1-138-80721-4 320 $aIncludes bibliographical references and index. 327 $a1. What is creativity? -- 2. The UK television comedy industry -- 3. Creativity and new writers -- 4. Creativity and established writers -- 5. Creativity and established programmes -- 6. Creativity and failure -- 7. So, what is creativity? 330 $aDrawing on interviews with many key writers, producers and commissioners, Creativity in the British Television Comedy Industry explores the creative processes that lead to successful programme-making. With detailed discussion of the processes by which series such as People Just Do Nothing and After Hours came to our screens, this book examines how members of the comedy industry maintain careers, manage failure, develop their craft and stay creative. This is essential reading for students and researchers with an interest in comedy studies, television production and the creative/media industries. 606 $aSituation comedies (Television programs)$zGreat Britain 606 $aTelevision$xProduction and direction$zGreat Britain 606 $aCreation (Literary, artistic, etc.) 615 0$aSituation comedies (Television programs) 615 0$aTelevision$xProduction and direction 615 0$aCreation (Literary, artistic, etc.) 676 $a791.45/6170941 676 $a791.456170941 700 $aMills$b Brett.$0880966 701 $aHorton$b Erica$0880967 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910135959203321 996 $aCreativity in the British television comedy industry$91967712 997 $aUNINA