LEADER 01564nas 2200505- 450 001 9910133964703321 005 20240425213015.0 011 $a2410-3713 035 $a(OCoLC)1371452878 035 $a(CKB)9870000000001220 035 $a(CONSER)--2024224779 035 $a(DE-599)ZDB2778050-8 035 $a(EXLCZ)999870000000001220 100 $a20121218a20129999 --- - 101 0 $aeng 135 $aur|n||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBotanica Pacifica $ejournal of plant science and conservation 210 1$aVladivostok :$cBotanical Garden-Institute,$d2012- 215 $a1 online resource 311 08$a2226-4701 517 3 $aJournal of plant science and conservation 606 $aBotany$vPeriodicals 606 $aBotany$zPacific Area$vPeriodicals 606 $aPlant conservation$vPeriodicals 606 $aPlant conservation$zPacific Area$vPeriodicals 606 $aPlantes$xConservation$vPériodiques 606 $aBotany$2fast 606 $aPlant conservation$2fast 608 $aPeriodicals$2fast 615 0$aBotany 615 0$aBotany 615 0$aPlant conservation 615 0$aPlant conservation 615 6$aPlantes$xConservation 615 7$aBotany 615 7$aPlant conservation 676 $a580 712 02$aBotanicheski? sad-institut (Rossi?skai?a akademii?a nauk. Dal?nevostochnoe otdelenie) 906 $aJOURNAL 912 $a9910133964703321 996 $aBotanica Pacifica$91978154 997 $aUNINA LEADER 04073nam 22005175 450 001 9910513600803321 005 20240701112054.0 010 $a9783030726133$b(electronic bk.) 010 $z9783030726126 024 7 $a10.1007/978-3-030-72613-3 035 $a(MiAaPQ)EBC6825721 035 $a(Au-PeEL)EBL6825721 035 $a(CKB)20120401700041 035 $a(DE-He213)978-3-030-72613-3 035 $a(EXLCZ)9920120401700041 100 $a20211212d2021 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMoments in Indonesian Film History $eFilm and Popular Culture in a Developing Society 1950-2020 /$fby David Hanan 205 $a1st ed. 2021. 210 1$aCham :$cSpringer International Publishing :$cImprint: Palgrave Macmillan,$d2021. 215 $a1 online resource (371 pages) 311 08$aPrint version: Hanan, David Moments in Indonesian Film History Cham : Springer International Publishing AG,c2022 9783030726126 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Chapter 1. Filming the 'Struggle for the Nation', and its Aftermath: The Early Films of Usmar Ismail and the Perfini Company (1950-1954) -- Chapter 2. A Tradition of Political Allegory and Political Satire in Indonesian Cinema (1955-2003) -- Chapter 3. Islam in The Indonesian Cinema: Legends and Spirituality. Psychology and Politics (1960s-1990s) -- Chapter 4. Betawi Moderen: Songs and Films of Benyamin S from Jakarta in the 1970s: A Popular Culture of the Poor -- Chapter 5. Third World Experimental Narrative in Indonesian Film: Travelling the Centre-Periphery Axis (1979-1985) -- Chapter 6. Developments in Indonesian -- Cinema since 1998: A Survey -- Conclusion. 330 $a'Political allegory and satire, representations of Islam, third world cinema, films by newly-emerging women filmmakers-David Hanan's panorama of exceptional moments in Indonesian cinema since independence shows expertise in the inspirational wealth of insights that he offers, in relating key films to the histories, national ideologies, and complex, evolving social formations from which these films emerge, and at times critique, in multicultural Indonesia.' - Dina Iordanova, Emeritus Professor of Global Cinema at the University of St Andrews, Scotland This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s 'Indonesian neorealist films' of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945-49). It continues by discussing four audacious political allegories produced in four discrete political eras-including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in 'modernizing' Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999-2020), including films by an unprecedented generation of women writer-directors. 606 $aMotion pictures$zAsia 606 $aCulture$xStudy and teaching 606 $aAsian Film and TV 606 $aCultural Studies 615 0$aMotion pictures 615 0$aCulture$xStudy and teaching. 615 14$aAsian Film and TV. 615 24$aCultural Studies. 676 $a384.84 676 $a791.4309598 700 $aHanan$b David$0906114 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910513600803321 996 $aMoments in Indonesian Film History$92564289 997 $aUNINA