LEADER 02631nam 2200637 a 450 001 9910133760603321 005 20170814171927.0 010 $a1-78268-425-5 010 $a1-283-40843-0 010 $a9786613408433 010 $a1-4443-9635-8 010 $a1-4443-6172-4 010 $a1-4443-9632-3 035 $a(CKB)3360000000357849 035 $a(EBL)693784 035 $a(OCoLC)767516261 035 $a(SSID)ssj0000575742 035 $a(PQKBManifestationID)11965894 035 $a(PQKBTitleCode)TC0000575742 035 $a(PQKBWorkID)10553315 035 $a(PQKB)10759674 035 $a(MiAaPQ)EBC693784 035 $a(PPN)261551086 035 $a(EXLCZ)993360000000357849 100 $a20101207d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA companion to Asian art and architecture$b[electronic resource] /$fedited by Rebecca M. Brown and Deborah S. Hutton 210 $aChichester, West Sussex, U.K. ;$aMalden, Mass. $cWiley-Blackwell$d2011 215 $a1 online resource (690 p.) 225 1 $aWiley-Blackwell companions to art history ;$v3 300 $aDescription based upon print version of record. 311 $a1-119-01953-2 311 $a1-4051-8537-6 320 $aIncludes bibliographical references and index. 327 $apt. I. Introduction -- pt. II. Objects in use -- pt. III. Space -- pt. IV. Artists -- pt. V. Challenging the canon -- pt. VI. Shifting meanings -- pt. VII. Elusive, mobile objects. 330 $a"This companion presents new critical views on crucial aspects of the large and varied field of Asian art and architectural history. The essays collected here provide scholars and the pubic with an opportunity to engage with the field in all its diversity - from coinage to monastic spaces to imperial commissions and beyond. Regions and topics covered include Korea, Japan, China, several regions of Southeast Asia, South Asia, global and colonial interactions, as well as art and architecture in the UK and UK diasporas"--$cProvided by publisher. 410 0$aBlackwell companions to art history ;$v3. 606 $aArt, Asian 606 $aArchitecture$zAsia 615 0$aArt, Asian. 615 0$aArchitecture 676 $a709.5 686 $aART019000$2bisacsh 701 $aBrown$b Rebecca M$0907501 701 $aHutton$b Deborah S$0907502 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910133760603321 996 $aA companion to Asian art and architecture$92030049 997 $aUNINA LEADER 02134nam 2200505 450 001 9910797629803321 005 20230807193449.0 010 $a1-4438-8189-9 035 $a(CKB)3710000000485963 035 $a(EBL)4534730 035 $a(MiAaPQ)EBC4534730 035 $a(Au-PeEL)EBL4534730 035 $a(CaPaEBR)ebr11215750 035 $a(CaONFJC)MIL839012 035 $a(OCoLC)925303414 035 $a(EXLCZ)993710000000485963 100 $a20160623h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aRecovery and transgression $ememory in American poetry /$fedited by Kornelia Freitag 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (348 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-8045-0 320 $aIncludes bibliographical references. 330 $aThere is no poetry without memory. Recovery and Transgression: Memory in American Poetry is devoted to the ways in which poetic texts shape, and are shaped by, personal, collective, and cultural memory. It looks at the manifold and often transgressive techniques through which the past is recovered and repurposed in poetry. T.S. Eliot's "The Waste Land," Susan Howe's THIS THAT, Lyn Hejinian's Writing Is an Aid to Memory, John Tranter's "The Anaglyph," Amiri Baraka's "Somebody Blew Up America," and Amy Clampitt's "Nothing Stays Put" are only some of the texts discussed in this volume by a group 606 $aMemory in literature 606 $aHistory in literature 606 $aAmerican poetry$y20th century$xHistory and criticism 615 0$aMemory in literature. 615 0$aHistory in literature. 615 0$aAmerican poetry$xHistory and criticism. 676 $a820.935842 702 $aFreitag$b Kornelia 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910797629803321 996 $aRecovery and transgression$93823692 997 $aUNINA